art direction Henry Marquez tracks 1, 2, 6, 8.2, 10 co-producer AZ tracks 1, 8.2 co-producer Lunatic Mind tracks 1, 6, 8.2 engineer Jack Hersca tracks 3, 5, 11 engineer Jamie Staub tracks 4, 7 engineer Jason Vogel tracks 2, 10 engineer Joe Pirrera executive-producer AZ executive-producer, directed by [a&r direction] Damian "Deo" Blyden executive-producer, directed by [a&r direction] Lindsey Williams management Damian "Deo" Blyden photography by [eulogy] Daniel Hastings photography by [funeral arrangements] Richard Bravo photography by [obituaries] Miguel Rivera tracks 6, 10 producer Amar tracks 3, 5 producer Pete Rock tracks 1 to 8.1, 9 to 11 written-by AZ Produced For Gentry Entertainment Produced For Illtown-E.N.Y. Produced For Soul Brother Number 1 Productions Produced For Still Diggin' Productions Produced For Total Package Productions, Inc. Produced For Nexx Level Entertainment Produced For Gumbo Funk Productions Produced For Untouchables Entertainment Recorded At Chung King Studios Recorded At Platinum Island Studios Recorded At Electric Lady Studios Recorded At Greene St. Recording Recorded At Battery Studios, New York Published By Life's A Bitch Publishing Published By Big Loose Publishing Published By Pete Rock Publishing Published By Amar Pep Published By Tricky Track Music Published By April Music Published By EMI Blackwood Phonographic Copyright (p) EMI Records Copyright (c) EMI Records Manufactured By EMI Manufacturing (USA) Glass Mastered At EMI MFG. Similar to this version with a different matrix number and slightly different center hub print design. Issued in a standard jewel case with clear CD tray.
First catalog number appear on booklet, back inlay and disc. Second catalog number appears on spine.
Track 8 (8.1) title is listed as Mo Money, Mo Murder Homicide on back inlay and as Mo Money Mo Murder (Homicide) on booklet. Track 8.2 is not listed on back inlay. Mo Money, Mo Murder Homicide and Born Alone, Die Alone are mixed as one track 8. Born Alone, Die Alone that starts at 5:13.
Track 1 Co-produced for Gentry Entertainment Published by Life Is A Bitch (ASCAP) Recorded at Chung King Studios, NYC
Track 2 Produced for Illtown-E.N.Y. Published by Life Is A Bitch (ASCAP)/Big Loose Publishing (ASCAP) Recorded at Platinum Island and Electric Lady Studios
Track 3 Produced for Soul Brother Number One Productions Published by Life Is A Bitch (ASCAP) Recorded at Greene Street Studios, NYC
Contains a sample of Here We Go written by M. Riperton, R. Riperton & A. Phillips performed by Minnie Riperton (Warner Tamlerlane Publishing Corp. - all rights reserved used by permission/BMI) Dikie Bird Music & Publishing/Rudolph Productions Inc. (BMI)
Track 4 Produced for Still Diggin Productions, Inc. Published by Life Is A Bitch (ASCAP) Recorded at Electric Lady and Battery Studios, NYC
Track 5 Produced for Soul Brother Number One Productions Published by Life Is A Bitch (ASCAP)/Pete Rock Publ. (ASCAP) Recorded at Greene Street Studios, NYC
Contains a sample of Just Rhymin With Biz performed by Big Daddy Kane
Track 6 Published by Life Is A Bitch (ASCAP)/Amar Pep (ASCAP) Recorded at Chung King Studios, NYC
Track 7 Produced for a Total Package Productions Published by Trick Track Music (BMI) Recorded at Chung King and Electric Lady Studios, NYC
Track 8.1 Produced for Nexx Level Entertainment, Inc. Published by Life Is A Bitch (ASCAP) Recorded at Chung King Studios, NYC
Contains a sample of Cry Together written by Gamble & Huff, performed by the O'Jays (Warner Tamerlane Publishing Corp./BMI)
Track 8.2 Co-produced for Gentry Entertainment Published by Life Is A Bitch (ASCAP) Recorded at Chung King Studios, NYC
Track 9 Produced and arranged for Gumb Funk Productions Published by Life Is A Bitch (ASCAP)/April Blackwood-EMI (ASCAP) Recorded at Electric Lady Studios, NYC
Track 10 Published by Life Is A Bitch (ASCAP)/Amar Pep (ASCAP) Recorded at Electric Lady Studios, NYC
Track 11 Originally produced for Untouchables Entertainment Remixed for Roc-A-Bloc Productions Published by Life Is A Bitch (ASCAP) Recorded at Greene Street and Chung King Studios, NYC
Track 12 Remixed for A Total Package Productions
Contains a sample from It Wasn't Me, It Was Fame written by E. Sermon and P. Smith performed by EPMD ([l275213] (ASCAP)/Pancken Music (ASCAP) Barcode: 7 2438-32631-2 7 Matrix / Runout: 32631 RE-1 MASTERED BY EMI MFG. 1-1-6 (Variant 1) Mastering SID Code: IFPI L043 (Variant 1) Mould SID Code: ifpi 1602 (Variant 1) Matrix / Runout: 32631 RE1 2-1-14 MASTERED BY EMI MANUFACTURING (Variant 2) Mastering SID Code: IFPI L043 (Variant 2) Mould SID Code: IFPI 165F (Variant 2) Matrix / Runout: 32631 RE1 MASTERED BY EMI MFG. 2-1-5 (Variant 3) Mastering SID Code: IFPI L043 (Variant 3) Mould SID Code: IFPI 160C (Variant 3) Matrix / Runout: 32631 RE-1 MASTERED BY EMI MFG. 1-1-5 (Variant 4) Mastering SID Code: IFPI L043 (Variant 4) Mould SID Code: ifpi 1608 (Variant 4) Matrix / Runout: 32631 RE-1 MASTERED BY EMI MFG. 1-1-8 (Variant 5) Mastering SID Code: IFPI L043 (Variant 5) Mould SID Code: IFPI 1601 (Variant 5) Matrix / Runout: 32631 RE-1 MASTERED BY EMI MFG. 1-1-7 (Variant 6) Mastering SID Code: IFPI L043 (Variant 6) Mould SID Code: IFPI 160C (Variant 6) Rights Society: ASCAP Rights Society: BMI