tracks 5-8 acoustic guitar Lou Reed
tracks 3-1 to 3-10 arranged by Allan Macmillan
tracks 1-1 to 1-10, 8-1 to 8-12 arranged by Lou Reed
tracks 12-4 arranged by [horn] Don Cherry
tracks 12-1 to 12-3, 12-5 to 12-9 arranged by [horn] Lou Reed
tracks 12-1 to 12-9 arranged by [horn] Marty Fogel
tracks 16-1 to 16-10 arranged by [horn] Tom Malone
tracks 5-1 to 5-8 arranged by [horns] Danny Weis
tracks 5-1 to 5-8 arranged by [horns] Lew Soloff
tracks 5-1 to 5-8 arranged by [horns] Lou Reed
tracks 5-1 to 5-8 arranged by [horns] Michael Fonfara
tracks 5-1 to 5-8 arranged by [horns] Prakash John
tracks 5-1 to 5-8 arranged by [horns] Steve Katz
tracks 2-1 to 2-11 arranged by [song arrangements] David Bowie
tracks 2-1 to 2-11 arranged by [song arrangements] Lou Reed
tracks 2-1 to 2-11 arranged by [song arrangements] Mick Ronson
tracks 2-1 to 2-11 arranged by [string and bass arrangements] Mick Ronson
arranged by [string arrangement] Aram Schefrin
tracks 3-9 arranged by [vocal arranging], acoustic guitar, synthesizer Gene Martynec
tracks 3-1 to 3-10 arranged by, mellotron, piano Bob Ezrin
tracks 2-11 arranged by, performer [played], tuba Herbie Flowers
tracks 10-1 to 11-4 art direction Donn Davenport
art direction ["rock n roll animal"] Acy Lehman
art direction ["sally can't dance"] Acy Lehman
art direction ["the blue mask"] J. J. Stelmach
art direction ["transformer], design ["transformer] Ernest Thormahlen
art direction, design Frank Harkins
tracks 9-1 to 9-8 backing vocals Christine Wiltshire
tracks 16-1 to 16-10 backing vocals Connie Harvey
tracks 2-1 to 2-11 backing vocals David Bowie
tracks 16-1 to 16-10 backing vocals Eric Troyer
tracks 16-1 to 16-10 backing vocals Fernando Saunders
tracks 8-4 backing vocals Garland Jeffreys
tracks 9-1 to 9-8 backing vocals Genya Ravan
tracks 7-1 to 7-8 backing vocals Godfrey Diamond
tracks 17-5 backing vocals Jim Carroll
tracks 5-1 to 5-8 backing vocals Joanne Vent
tracks 16-1 to 16-10 backing vocals Jocelyn Brown
tracks 7-1 to 8-3, 8-5 to 8-12 backing vocals Lou Reed
tracks 5-1 to 5-8 backing vocals Michael Fonfara
tracks 5-1 to 5-8, 7-1 to 7-8 backing vocals Michael Wendroff
tracks 2-1 to 2-11 backing vocals Mick Ronson
tracks 16-1 to 16-10 backing vocals Rory Dodd
tracks 17-9 to 17-10 backing vocals Ruben Blades
tracks 9-7 backing vocals Stuart Heinrich
backing vocals Thunder Thighs
tracks 12-1 to 12-9 backing vocals, bass, bass guitar [synthesizer] Ellard Boles
tracks 3-1 to 3-10 backing vocals, electric guitar Dick Wagner
tracks 12-1 to 12-9 backing vocals, electric piano [fender rhodes], electric piano [yamaha], synthesizer [oberheim], keyboards [mini-korg poly-ensemble] Michael Fonfara
tracks 2-11 baritone saxophone Ronnie Ross
tracks 8-1 to 8-12 bass Bruce Yaw
tracks 5-8 bass Doug Yule
tracks 15-1 to 15-11 bass Fernando Saunders
tracks 3-2 bass Gene Martynec
tracks 3-2 bass Jack Bruce
tracks 4-1 to 5-8 bass Prakash John
tracks 3-8 bass Tony Levin
tracks 1-1 to 1-10 bass guitar Brian Odgers
tracks 2-1 to 2-11 bass guitar Klaus Voormann
tracks 1-1 to 1-10 bass guitar Les Hurdle
tracks 2-1 to 2-11 bass guitar, contrabass [string bass] Herbie Flowers
tracks 3-1 to 3-10 bass saxophone Jon Pierson
tracks 9-7 bass [lead] Steve Friedman
tracks 13-1 to 13-11 bass, backing vocals Ellard Boles
tracks 14-1 to 14-10 bass, backing vocals Fernando Saunders
tracks 7-1 to 17-10 bass, rhythm guitar, backing vocals, drum programming Fernando Saunders
tracks 10-1 to 11-4 bass, vocals Ellard Boles
calligraphy ["berlin" calligraphy] Bill Garland
tracks 3-1 to 3-10 choir Bob Ezrin
tracks 3-1 to 3-10 choir Dennis Ferrante
tracks 3-1 to 3-10 choir Dick Wagner
tracks 3-1 to 3-10 choir Elizabeth March
tracks 3-1 to 3-10 choir Lou Reed
tracks 3-1 to 3-10 choir Steve Hyden
consultant [archival consultant] Hal Willner
consultant [archival consultant] Jim Cass
cover ["legendary hearts" cover concept], cover ["the blue mask" cover design], cover ["mistrial" cover design] Sylvia Reed
cover ["lou reed"] Tom Adams
cover ["metal machine music] Acy Lehman
cover ["metal machine music] Lou Reed
cover ["rock n roll animal" photo] DeWayne Dalrymple
cover ["sally can't dance" cover art by] David Edward Byrd
cover ["sally can't dance" cover concept by] Dennis Katz
design concept ["berlin" album concept], design ["berlin"] Pacific Eye & Ear
design ["growing up in public] Howard Fritzson
design ["live take no prisoners"] Dennis Weeden
design ["live take no prisoners"] Phenographix Inc.
design ["the bells"], art direction ["the bells"] Donn Davenport
design ["the bells"], art direction ["the bells"] Howard Fritzson
drums Aynsley Dunbar
tracks 3-2, 3-8 drums B.J. Wilson
tracks 2-1 to 2-11 drums Barry De Souza
tracks 14-1 to 14-10 drums Doane Perry
tracks 15-1 to 16-10 drums Fred Maher
tracks 7-1 to 17-10 drums J.T. Lewis
tracks 2-1 to 2-11 drums John Halsey
tracks 7-1 to 9-8, 10-1 to 11-4, 13-1 to 13-11 drums Michael Suchorsky
tracks 4-1 to 4-5 drums Pentti Glan
tracks 2-1 to 2-11, 5-5 drums Ritchie Dharma
tracks 5-1 to 5-8 drums Whitey Glan
edited by [digital editing] Scott Hull
tracks 7-1 to 7-8 electric bass, acoustic bass Bruce Yaw
electric bass, contrabass [string bass], rhythm guitar [joystick/george] Fernando Saunders
tracks 1-1 to 1-10 electric guitar Steve Howe
tracks 3-1 to 3-10 electric guitar Steve Hunter
tracks 1-1 to 1-10 electric guitar, acoustic guitar Paul Keogh
tracks 1-1 to 1-10 electric guitar, acoustic guitar, piano Caleb Quaye
tracks 12-9 electric piano [fender rhodes] Marty Fogel
tracks 10-1 to 11-4 electric piano [yamaha] Michael Fonfara
tracks 16-1 to 16-10 electric violin Shankar
tracks 13-1 to 13-11 engineer Corky Stasiak
tracks 8-1 to 8-12 engineer Corky Stasiak
tracks 7-1 to 7-8 engineer Godfrey Diamond
tracks 4-1 to 4-5 engineer Gus Mossler
tracks 16-1 to 16-10 engineer John Jansen
tracks 1-1 to 1-10 engineer Mike Bobak
tracks 12-1 to 12-9 engineer René Tinner
tracks 9-1 to 9-8 engineer Rod O'Brien
tracks 14-1 to 14-10 engineer Sean Fullan
tracks 7-1 to 17-10 engineer [additional recording] Bruce Lampcov
tracks 10-1 to 11-4 engineer [assistant delta studios] René Tinner
tracks 16-1 to 16-10 engineer [assistant at atlantic studios] Dan Nash
tracks 16-1 to 16-10 engineer [assistant at skyline studios] Roger Moutenot
tracks 9-1 to 9-8 engineer [assistant] Gray Russell
tracks 9-1 to 9-8 engineer [assistant] Gregg Caruso
tracks 8-1 to 8-12 engineer [assistant] Jay Krugman
tracks 7-1 to 17-10 engineer [assistant] Michael Christopher
tracks 13-1 to 13-11 engineer [assistant] Steve Catania
tracks 13-1 to 13-11 engineer [assistant] Tony George
tracks 15-1 to 15-11 engineer [associate] Jim Crotty
tracks 10-1 to 11-4 engineer [botton line audience] Gregg Caruso
tracks 10-1 to 11-4 engineer [botton line audience] Jay Krugman
tracks 10-1 to 11-4 engineer [botton line audience] Julie Last
tracks 9-1 to 11-4 engineer [delta studios] Manfred Schunke
tracks 9-1 to 9-8 engineer [dierks mobile studio] Heiner Friesz
tracks 5-1 to 5-8 engineer [re-mix engineer] Ralph Moss
tracks 7-1 to 17-10 engineer [recording] Dave Greenberg
tracks 5-1 to 5-8 engineer [recording] Mike Stone
tracks 12-1 to 12-9 executive-producer Michael Fonfara
tracks 7-1 to 7-8 guitar Bob Kulick
tracks 13-1 to 13-11 guitar Chuck Hammer
tracks 4-1 to 4-5 guitar Dick Wagner
tracks 2-1 to 2-11 guitar Lou Reed
tracks 2-1 to 2-11 guitar Mick Ronson
tracks 14-1 to 14-11 guitar Robert Quine
tracks 4-1 to 4-5 guitar Steve Hunter
tracks 9-3 guitar Stuart Heinrich
tracks 13-1 to 13-11 guitar, backing vocals Stuart Heinrich
tracks 9-1 to 9-8 guitar, bass, piano, vocals Lou Reed
tracks 13-1 to 13-11 guitar, keyboards Michael Fonfara
tracks 7-1 to 7-8 guitar, piano, vocals Lou Reed
tracks 5-1 to 5-8 guitar, tambourine Danny Weis
tracks 10-1 to 11-4 guitar, vocals Stuart Heinrich
tracks 5-1 to 5-8 harmonica Steve Katz
harmony vocals Helene Francois
harmony vocals Kay Garner
tracks 5-1 to 5-8 horn Alan Rubin
tracks 5-1 to 5-8 horn Alex Foster
tracks 5-1 to 5-8 horn David Taylor
tracks 5-1 to 5-8 horn Jon Faddis
tracks 5-1 to 5-8 horn Lou Marini
tracks 5-1 to 5-8 horn Trevor Koehler
tracks 16-1 to 16-10 horns Jon Faddis
tracks 16-1 to 16-10 horns Michael Brecker
tracks 16-1 to 16-10 horns Randy Brecker
tracks 16-1 to 16-10 horns Tom Malone
illustration ["live take no prisoners" cover] Brent Bailer
illustration ["sally can't dance" back cover] René De La Bush
tracks 5-1 to 5-8 keyboards Michael Fonfara
tracks 4-1 to 4-5 keyboards Ray Colcord
liner notes Hal Willner
tracks 5-1 to 5-8 mastered by George Semkiw
tracks 13-1 to 14-10, 15-1 to 16-10 mastered by Greg Calbi
tracks 8-1 to 8-12 mastered by Joe Brescio
tracks 7-1 to 7-8 mastered by José Rodriguez
tracks 10-1 to 12-9 mastered by Lou Reed
tracks 10-1 to 11-4 mastered by Manfred Schunke
tracks 6-1 to 6-4 mastered by Scott Hull
tracks 9-1 to 12-9 mastered by Ted Jensen
tracks 8-1 to 8-12 mastered by Tony Bridge
mastered by Vlado Meller
tracks 7-1 to 17-10 mastered by [direct metal mastering] Bob Ludwig
tracks 2-1 to 2-11 mastered by [tape mastering by] Arun Chakraverty
tracks 5-6 mellotron Michael Fonfara
tracks 13-1 to 13-11 mixed by Corky Stasiak
tracks 8-1 to 8-12 mixed by Corky Stasiak
tracks 2-1 to 2-11 mixed by David Bowie
tracks 7-1 to 7-8 mixed by Godfrey Diamond
tracks 8-1 to 8-12 mixed by Jay Krugman
tracks 2-1 to 2-11 mixed by Ken Scott
tracks 2-1 to 2-11, 7-1 to 9-8, 12-1 to 13-11 mixed by Lou Reed
tracks 12-1 to 12-9 mixed by Manfred Schunke
tracks 13-1 to 13-11 mixed by Michael Fonfara
tracks 7-1 to 7-8 mixed by Michael Wendroff
tracks 2-1 to 2-11 mixed by Mick Ronson
tracks 2-1 to 2-11 mixed by Mike Stone
tracks 12-1 to 12-9 mixed by René Tinner
tracks 9-1 to 9-8 mixed by Rod O'Brien
tracks 10-1 to 11-4 mixed by [botton line audience] Steve Savageau
tracks 10-1 to 11-4 mixed by [delta studios] Ellard Boles
tracks 10-1 to 11-4 mixed by [delta studios] Lou Reed
tracks 10-1 to 11-4 mixed by [delta studios] Manfred Schunke
tracks 10-1 to 11-4 mixed by [delta studios] Michael Fonfara
tracks 7-1 to 17-10 mixed by [digitally] Bruce Lampcov
tracks 3-1 to 3-10 organ, harmonium Steve Winwood
painting ["legendary hearts" hand coloring], design ["legendary hearts" styling] Liz Lauman
painting ["the bells" hand tinting] Fred Marcellino
painting [["new sensations" hand coloring] Liz Lauman
percussion Clem Cattini
tracks 12-1 to 12-9 percussion Michael Suchorsky
tracks 7-1 to 17-10 percussion, drum [programming] Sammy Merendino
photography by ["berlin" featuring] Gary Linden
photography by ["berlin" featuring] Mary Flynn
photography by ["berlin" featuring] Michael Moore
photography by ["berlin"] LA Legion
photography by ["berlin"] Saint-Jivago Desanges
photography by ["legendary hearts"], art direction ["legendary hearts"] Waring Abbott
photography by ["lou reed" back liner photography] Ronn Campisi
photography by ["mistrial"] Waring Abbott
photography by ["new sensations"], art direction ["new sensations"] Waring Abbott
photography by ["sally can't dance" back cover illustration from a] Lou Reed
photography by ["the bells"] Garry Gross
photography by ["transformer" black and white photographs], photography by ["sally can't dance" front cover illustration from a], photography by ["growing up in public], design ["coney island baby"], photography by ["coney island baby"], design ["rock and roll heart" cover design], photography by ["rock and roll heart" photograph] Mick Rock
photography by ["transformer" color photographs] Karl Stoecker
tracks 3-1 piano Allan Macmillan
tracks 3-3 piano Blue Weaver
tracks 9-4, 9-6 piano Michael Fonfara
tracks 1-1 to 1-10 piano Rick Wakeman
tracks 8-1 to 8-12 piano, clavinet, organ, synthesizer [arp] Michael Fonfara
tracks 2-11 piano, recorder Mick Ronson
tracks 16-1 to 16-10 piano, synthesizer, accordion Peter Wood
tracks 3-1 to 3-10 producer Bob Ezrin
tracks 2-1 to 2-11 producer David Bowie
tracks 17-1 to 17-10 producer Fernando Saunders
tracks 7-1 to 7-8 producer Godfrey Diamond
tracks 16-1 to 16-10 producer John Jansen
tracks 1-1 to 1-10, 4-1 to 17-10 producer Lou Reed
tracks 13-1 to 13-11 producer Michael Fonfara
tracks 2-1 to 2-11 producer Mick Ronson
tracks 1-1 to 1-10, 9-1 to 9-8 producer Richard Robinson
tracks 14-1 to 14-10 producer Sean Fullan
tracks 4-1 to 5-8 producer Steve Katz
producer [box set] Hal Willner
producer [box set] Lou Reed
producer [box set] Rob Santos
tracks 4-1 to 4-5 producer [production assistance] Bruce Somerfeld
tracks 4-1 to 4-5 producer [production assistance] Ralph Moss
product manager [product director] Tom Burleigh
product manager [project director] Mandana Eidgah
tracks 3-1 to 3-10 recorded by [basic tracks] Peter Flanagan
tracks 3-1 to 3-10 recorded by [basic tracks] Robin Black
tracks 3-1 to 3-10 recorded by [overdubbing by] Danny Turbeville
tracks 3-1 to 3-10 recorded by [overdubbing by] Dennis Ferrante
tracks 3-1 to 3-10 recorded by [overdubbing by] Dick Lewzey
tracks 3-1 to 3-10 recorded by [overdubbing by] Ed Sprigg
tracks 3-1 to 3-10 recorded by [overdubbing by] Greg Calbi
tracks 3-1 to 3-10 recorded by [overdubbing by] Jay Messina
tracks 3-1 to 3-10 recorded by [overdubbing by] Jim Frank
tracks 3-1 to 3-10 recorded by [overdubbing by] Jim Reeves
tracks 3-1 to 3-10 recorded by [overdubbing by] Joe Lopes
tracks 3-1 to 3-10 recorded by [overdubbing by] Pat Martin
tracks 3-1 to 3-10 recorded by [overdubbing by] Shelly Yakus
recorded by [remote recording] Frank Hubach
tracks 15-1 to 15-11 recorded by, engineer Corky Stasiak
tracks 5-1 to 5-8 recorder [recordist] Dave Wittman
research [archival research and associate director - lou reed archive] Jason Stern
research [archive director - lou reed archive] Don Fleming
tracks 7-1 to 17-10 rhythm guitar Eddie Martinez
tracks 5-8 saxophone Paul Fleisher
tracks 9-1 to 9-8 saxophone [amplified] Marty Fogel
tracks 10-1 to 11-4 saxophone [electric] Marty Fogel
tracks 8-1 to 8-12 saxophone [sax] Marty Fogel
tracks 12-1 to 12-9 soprano saxophone, tenor saxophone, ocarina Marty Fogel
supervised by Lou Reed
tracks 10-1 to 11-4 supervised by [binaural recording] Manfred Schunke
tracks 12-8 synthesizer Lou Reed
tracks 4-1 to 4-5 tape op [tape operator] Joe Lopes
tracks 3-1 to 3-10 tenor saxophone Michael Brecker
tracks 7-1 to 17-10 tenor saxophone Rick Bell
tracks 3-1 to 3-10 trumpet Randy Brecker
tracks 12-1 to 12-9 trumpet, guitar [african hunting guitar] Don Cherry
tracks 12-8 twelve-string guitar [fender electric] Ellard Boles
typography ["coney island baby" type design] Julie Harris
typography ["coney island baby" type design] Steve Ridgeway
typography ["rock and roll heart" type design], art direction ["rock and roll heart"] Julie Harris
typography ["rock and roll heart" type design], art direction ["rock and roll heart"] Steve Ridgeway
tracks 10-1 to 11-4 vocals Chrissy Faith
tracks 4-1 to 5-8 vocals Lou Reed
tracks 3-1 to 3-10 vocals, acoustic guitar Lou Reed
tracks 12-1 to 12-9 vocals, backing vocals, electric guitar, guitar synthesizer, bass guitar Lou Reed
tracks 1-1 to 1-10, 13-1 to 15-11 vocals, guitar Lou Reed
tracks 8-1 to 8-12 vocals, guitar [all guitars], piano Lou Reed
tracks 10-1 to 11-4 vocals, guitar, guitar synthesizer [roland] Lou Reed
tracks 16-1 to 16-10 vocals, lead guitar, rhythm guitar Lou Reed
tracks 7-1 to 17-10 vocals, lead guitar, rhythm guitar, guitar [power] Lou Reed
tracks 10-1 to 11-4 vocals, tambourine Angela Howell
tracks 12-7 written-by Don Cherry
tracks 12-2, 12-8 written-by Ellard Boles
tracks 1-1 to 17-10 written-by Lou Reed
tracks 12-2, 12-9 written-by Marty Fogel
tracks 12-2, 12-3, 13-1 to 13-11 written-by Michael Fonfara
tracks 12-2 written-by Michael Suchorsky
tracks 12-1, 12-4, 12-6 written-by Nils Lofgren
tracks 4-1 written-by Steve Hunter
Record Company RCA
Record Company Arista
Phonographic Copyright (p) Sony Music Entertainment
Phonographic Copyright (p) RCA Records
Copyright (c) Sony Music Entertainment
Copyright (c) RCA Records
Distributed By Sony Music Entertainment
Produced For Nimbus 9 Productions Limited
Produced For Anxiety Productions Ltd.
Produced For Sister Ray Enterprises Inc
Produced For Fernando's Hide-Away Music, Ltd.
Recorded At Morgan Studios
Recorded At Trident Studios
Recorded At Academy Of Music
Recorded At Electric Lady Studios
Recorded At Mediasound
Recorded At Record Plant, N.Y.C.
Recorded At The Bottom Line
Recorded At Delta Studio, Wilster
Recorded At AIR Studios, Montserrat
Recorded At RCA Studios, New York
Recorded At Skyline Studios
Recorded At Power Station
Recorded By Record Plant Mobile Studio
Engineered At Dierks Studio Mobile Trucks
Engineered At Delta Studio, Wilster
Engineered At RCA Studios, New York
Overdubbed At CTS Studios
Overdubbed At Record Plant, N.Y.C.
Mixed At Trident Studios
Mixed At Record Plant, N.Y.C.
Mixed At Mediasound
Mixed At Delta Studio, Wilster
Mixed At Electric Lady Studios
Mixed At Atlantic Studios
Mastered At Masterdisk
Mastered At RCA Studios, Toronto
Mastered At Sterling Sound
Mastered At Mediasound
Mastered At Master Cutting Room
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
Box set includes poster, 5 prints in an envelope, and a hard bound book. CDs come in miniature replica LP sleeves. Memorabilia courtesy of Lou Reed Archive, Barbara (Fulks) Wilkinson, John Holmstrom, Sony Music Archives.

-Lou Reed: recorded December, 1971 - January, 1972, Morgan Studios, London. Released April, 1972 as RCA Victor LSP-4701.
Pop #189 / chart debut: 6/24/1972.

-Transformer: recorded August, 1972, Trident Studios, London. Released November 8, 1972 as RCA Victor AFL1-4807. Mixed at Trident Studios, London. Pop #29 / chart debut: 12/16/1972.

-Berlin: basic tracks recorded Morgan Studios, London, overdubbing at CTS Studios, London by Richard Kewzey and at Record Plant Studios, New York by Greg Calbi, Dennis Ferrante, Jim Frank, Joe Lopes, Pat Martin, Jay Messina, Jim Reeves, Ed Sprigg, Danny Turbeville & Shelley Yakus. Mixed at The Record Plant. Produced for Nimbus 9 Productions Limited. Released July, 1973 as RCA Victor APL1-0207. Pop #98 / chart debut:10/20/1973.

-Rock N Roll Animal: recorded live at Howard Stein's Academy of Music, NYC, December 21, 1973. Remote Recording: The Record Plant. Released February, 1974 as RCA Victor APL1-047. Produced for Anxiety Productions. Pop #45 / chart debut:3/2/1974.

-Sally Can't Dance: recorded at Electric Lady, N.Y.C.. Mastered at RCA Studios, Toronto. Produced for Anxiety Productions Ltd. Released in August, 1974 as RCA Victor CPL1-0611. Pop #10 / chart debut: 10/5/1974.

-Metal Machine Music: recorded 1974, Lou's Apartament. Mastered at Sterling Sound. Released in June, 1975 as RCA Victor CPL2-1101. Specifications: Sony 1/2 track, Uher 1/4 track, Pioneer 1/4 track, 5 piggyback Marshall Tube Amps in series, Arbiter distorter (Jimi's), Marantz Preamps, Marantz Amps, Altec Voice of America Monitor Speakers, Sennheiser Headphones, Drone cognizance and harmonic possibilities vis a vis Lamont Young's Dream Music, Rock Orientation, melodically disguised, i.e. drag, Avoidance of any type of atonality, Electro-Voice high filter microphones, Fender Tremelo Unit, Sunn Tremelo Unit, Ring Modulator/Octave Relay Jump, Fender Dual Showman Bass Amp with Reverb Unit (Pre-Columbia) white, No Synthesizers, No Arp, No Instruments?, --10 db + 57 db, --20 hz--+30,000 hz, --12 hz--+28,000 hz, Distortion 0.02 bass and treble ceilings.
Combinations and permutations built upon constant harmonic Density Increase and Melodic Distractions.
Strict Stereo Separation: No panning, No phasing, No.

-Coney Island Baby: recorded, mixed and mastered at Mediasound, New York, October 1975. Released in January, 1976 as RCA Victor APL1-0915. Pop #41 / chart debut: 2/7/1976.

-Rock And Roll Heart: recorded and mixed at The Record Plant, New York. Mastered at The Cutting Room. Released in October, 1976 as Arista AL 4100. Pop #64 / chart debut: 11/13/1976.

-Street Hassle: live recording Munich, Wiesbaden, Ludwigshaflen, West Germany 1978. Studio recording: The Record Plant, New York City. Mixed at The Record Plant, New York City. Mastered at Sterling Sound. Released in February, 1978 as Arista AB 4169. Pop #89 / chart debut: 4/8/1978.

.Live Take No Prisoners: recorded live at The Botton Line, New York Cty, May 17-21, 1978. Mixed at Delta Studios, Wilster, Germany. Mastered at Sterling Sound, New York, NY. Produced for Sister Ray Enterprises, Ltd. Released November, 1978 as Arista AL 8502.

-The Bells: recorded & mixed at Delta Studios, Wilster, West Germany. Mastered at Sterling Sound. Released in April, 1979 as Arista AB 4229. Pop #130 / chart debut: 6/2/1979.

-Growing Up In Public: recorded at AIR Studios, Montserrat. Mixed at Electric Lady Studios, New York City. Mastered at Sterling Sound, New York City. Produced for Sister Ray Enterprises, Inc.. Released in April, 1980 as Arista AL 9522. Pop #158 / chart debut: 5/10/1980.

-The Blue Mask: recorded at RCA Studios, New York, Oct. 1981. Mastered at Sterling Sound, New York. Released in January, 1982 as RCA AFK1-4211. This album contains no instrumental overdubs with the exception of my lead guitar in My House. All Vocals are overdubbed with the exception of The Heroine. My guitar is the one on the right stereo channel and was built by the Guitarman. Pop #169 / chart debut: 2/27/1982.

-Legendary Hearts: recorded and engineered for Audio Airlines, Inc. at RCA Studios, New York. Mastered at Sterling Sound, New York. Produced for Sister Ray Enterprises, Inc.. Released in March 1983 as RCA AFL1-4568. Pop #159 / chart debut: 4/9/1983.

-New Sensation: recorded Skyline Studios, New York City. Mixed at Atlantic Studios. Mastered at Sterling Sounds, New York City. Produced for Sister Ray Enterprises, Inc.. Proton P600M Monitor courtesy of Proton Inc., 737 W. Artesia Blvd., Compton, CA 90220. Released in April, 1984 as RCA AFL1-4998. Pop #56 / chart debut: 6/16/1984.

Mistrial: recorded at Power Station, New York in 1986. Released in April, 1986 as RCA AFL1-7190. Pop #47 / chart debut: 5/24/1986.

On CDs: © 1972, 2016 RCA Records, a division of Sony Music Entertainment. ℗ 1972 RCA Records, a division of Sony Music Entertainment.
On insert: This compilation ℗ & © Sony Music Entertainment.
Barcode: 888430380325
Mastering SID Code: IFPI L555 (Discs 1 to 17)
Mould SID Code: IFPI 94V3 (Discs 1 & 8)
Mould SID Code: IFPI 94W8 (Disc 2)
Mould SID Code: IFPI 943R (Discs 3 & 4)
Mould SID Code: IFPI 947T (Disc 5)
Mould SID Code: IFPI 941R (Discs 6 & 13)
Mould SID Code: IFPI 944T (Discs 7, 9 &10)
Mould SID Code: IFPI 948T
Mould SID Code: IFPI 942R (Disc 12)
Mould SID Code: IFPI 94W7 (Disc 14)
Mould SID Code: IFPI 947R (Disc 16)
Mould SID Code: IFPI 941Q (Disc 17)
Matrix / Runout: [Sony DADC logo] A0102677914 0101 15 A00 (Disc 1)
Matrix / Runout: [Sony DADC logo] A0102678333-0101 15 A00 (Disc 2)
Matrix / Runout: [Sony DADC logo] A0102678336-0101 15 A01 (Disc 3)
Matrix / Runout: [Sony DADC logo] A0102677947 0101 15 A00 (Disc 4)
Matrix / Runout: [Sony DADC logo] A0102678343 0101 15 A00 (Disc 5)
Matrix / Runout: [Sony DADC logo] A0102678362 0101 15 A00 (Disc 6)
Matrix / Runout: [Sony DADC logo] A0102678352 0101 15 A00 (Disc 7)
Matrix / Runout: [Sony DADC logo] A0102678374-0101 15 A00 (Disc 8)
Matrix / Runout: [Sony DADC logo] A0102678404 0102 15 A01 (Disc 9)
Matrix / Runout: [Sony DADC logo] A0102678414 0202 15 A00 (Disc 10)
Matrix / Runout: [Sony DADC logo] A0102678381 0101 25 A00 (Disc 11)
Matrix / Runout: [Sony DADC logo] A0102678448 0101 15 A00 (Disc 12)
Matrix / Runout: [Sony DADC logo] A0102678457 0101 15 A00 (Disc 13)
Matrix / Runout: [Sony DADC logo] A0102678461 0101 15 A00 (Disc 14)
Matrix / Runout: [Sony DADC logo] A0102678465-0101 15 A00 (Disc 15)
Matrix / Runout: [Sony DADC logo] A0102678469 0101 15 A00 (Disc 16)
Matrix / Runout: [Sony DADC logo] A0102678472 0101 15 A01 (Disc 17)
Rights Society: BIEM/GEMA
Label Code: LC00316
Other: 88843038032-1 (Disc 1)
Other: 88843038032-2 (Disc 2)
Other: 88843038032-3 (Disc 3)
Other: 88843038032-4 (Disc 4)
Other: 88843038032-5 (Disc 5)
Other: 88843038032-6 (Disc 6)
Other: 88843038032-7 (Disc 7)
Other: 88843038032-8 (Disc 8)
Other: 88843038032-9 (Disc 9)
Other: 88843038032-10 (Disc 10)
Other: 88843038032-11 (Disc 11)
Other: 88843038032-12 (Disc 12)
Other: 88843038032-13 (Disc 13)
Other: 88843038032-14 (Disc 14)
Other: 88843038032-15 (Disc 15)
Other: 88843038032-16 (Disc 16)
Other: 88843038032-17 (Disc 17)