booklet editor, art direction WLP Ltd.
compiled by, product manager Raymond McGill
tracks 13-1 to 13-12 consultant [pronunciation advisor] J. H. Marshall
tracks 5-1 to 5-31 edited by [recording editor] Sally Drew
tracks 4-1 to 4-10 edited by [recording editor] Deborah Rogers
tracks 25-1 to 25-38 edited by [recording editor] Ian Watson
tracks 1-1 to 1-13 edited by [recording editor] Stanley Goodall
tracks 6-1 to 6-11, 7-1 to 7-10, 13-1 to 13-12 edited by [recording editor] Timothy Bull
tracks 32-1 to 32-20, 36-1 to 36-17, 46-1 to 46-21, 47-1 to 47-21 engineer [balance engineer] Iain Churches
tracks 23-1 to 23-21, 27-1 to 27-21, 30-1 to 30-9, 36-1 to 36-17, 49-1 to 49-17 engineer [balance engineer] John Dunkerley
tracks 2-1 to 2-16, 8-1 to 8-24, 10-1 to 10-12, 11-1 to 11-16, 22-1 to 22-15, 42-1 to 42-20, 48-1 to 48-15, 50-1 to 50-11 engineer [balance engineer] John Pellowe
tracks 4-1 to 4-10, 5-1 to 5-31, 6-1 to 6-11, 7-1 to 7-10 engineer [balance engineer] Jonathan Stokes
tracks 12-1 to 12-12, 19-1 to 19-13, 20-1 to 20-15, 21-1 to 21-15, 23-22 to 23-24, 31-1 to 31-10, 44-1 to 44-18, 45-1 to 45-21 engineer [balance engineer] Martin Haskell
tracks 3-1 to 3-14, 15-1 to 15-10, 40-1 to 40-10, 41-1 to 41-10 engineer [balance engineer] Simon Eadon
tracks 13-1 to 13-12 engineer [location engineer] Adam Chignell
tracks 14-1 to 14-26, 34-1 to 34-10, 5-1 to 35-13 engineer [recording engineer] Arthur Lilley
tracks 15-1 to 15-10, 16-1 to 16-22, 17-1 to 17-26, 18-1 to 18-16 engineer [recording engineer] John Pellowe
tracks 25-1 to 25-38 engineer [recording engineer] Jonathan Stokes
tracks 24-1 to 24-18, 26-1 to 26-20, 43-1 to 43-13 engineer [recording engineer] Martin Haskell
tracks 13-1 to 13-12, 25-1 to 25-38 engineer [recording engineer] Neil Hutchinson
tracks 10-1 to 10-12, 11-1 to 11-16 engineer [recording engineer] Peter Cook
tracks 36-1 to 36-17, 37-1 to 37-14, 38-1 to 38-13, 39-1 to 39-9 engineer [recording engineer] Philip Wade
tracks 14-1 to 14-26, 28-1 to 28-16 engineer [recording engineer] Simon Eadon
tracks 36-1 to 36-17 executive-producer Raymond Ware
tracks 41-4 instrument builder [1540 virginal] Dominicus Pisaurensis
tracks 40-1 to 40-4, 40-8, 41-6 to 41-10 instrument builder [1681 harpsichord] Giovanni Battista Giusti
tracks 40-6, 40-7, 41-1 to 41-3, 41-5 instrument builder [1697 harpsichord] Carlo Grimaldi
tracks 36-1, 36-2, 36-13 instrument builder [chamber organ, 1972] Peter Hindmarsh
tracks 38-3.4, 39-5, 39-6, 39-8, 39-9 instrument builder [spinet] Marco Jadra
tracks 38-7, 37-8, 38-11 to 38-13, 39-1, 39-2 instrument builder [virginal] Thomas White
liner notes [repertoire - french translation] Dennis Collins
liner notes [repertoire - german translation] Andreas Klatt
liner notes [repertoire - german translation] Christiane Frobenius
liner notes [repertoire] Clifford Bartlett
liner notes [the l'oiseau story - french translation] Noémie Gatzler
liner notes [the l'oiseau story] Raymond McGill
tracks cds 2 12, 14, 16-18, 26, 28, 29, 32, 35, 36, 44, 57, 59 mastered by [digitially remastered by] Ben Wiseman
tracks cds 2 12, 14, 16-18, 26, 28, 29, 32, 35, 36, 44, 57, 59 mastered by [digitially remastered by] Craig Thompson
tracks cds 2 12, 14, 16-18, 26, 28, 29, 32, 35, 36, 44, 57, 59 mastered by [digitially remastered by] Paschal Byrne
tracks 33-1 to 33-22 performer [aam], cornett Iaan Wilson
tracks 33-1 to 33-22 performer [aam], cornett Michael Laird
tracks 33-1 to 33-22 performer [aam], lute Jakob Lindberg
tracks 33-1 to 33-22 performer [aam], lute Nigel North
tracks 33-1 to 33-22 performer [aam], sackbut John Edney
tracks 33-1 to 33-22 performer [aam], sackbut Peter Harvey
tracks 33-1 to 33-22 performer [aam], viol Catherine Mackintosh
tracks 33-1 to 33-22 performer [aam], viol Ian Gammie
tracks 33-1 to 33-22 performer [aam], viol Jane Ryan
tracks 33-1 to 33-22 performer [aam], viol Roderick Skeaping
tracks 33-1 to 33-22 performer [aam], viol Trevor Jones
tracks 33-1 to 33-22 performer [aam], virginal Christopher Hogwood
tracks cathy cass performer [consort of musicke], alto vocals Cathy Cass
tracks 18-1 to 18-16 performer [consort of musicke], alto vocals Margaret Philpot
tracks 34-1 to 34-10 performer [consort of musicke], alto vocals Mary Nichols
tracks 18-1 to 18-16, 50-1 to 50-11 performer [consort of musicke], bass viol Alison Crum
tracks 24-1 to 24-18, 35-1 to 35-13 performer [consort of musicke], bass viol Gregor Anthony
tracks 31-1 to 31-10, 32-1 to 32-20, 44-1 to 44-18 performer [consort of musicke], bass viol Jane Ryan
tracks 35-1 to 35-13, 50-1 to 50-11 performer [consort of musicke], bass viol Mark Caudle
tracks 29-1 to 29-22, 35-1 to 35-13 performer [consort of musicke], bass viol Oliver Hirsh
tracks 29-1 to 29-22, 35-1 to 35-13, 50-1 to 50-11 performer [consort of musicke], bass viol Piet Stryckers
tracks 18-1 to 18-16, 31-1 to 31-10, 44-1 to 44-18, 50-1 to 50-11 performer [consort of musicke], bass viol Trevor Jones
tracks 18-1 to 18-16, 24-1 to 24-18 performer [consort of musicke], bass viol [great bass viol] Oliver Hirsh
tracks 35-1 to 35-13 performer [consort of musicke], bass viol [great bass viol] Piet Stryckers
tracks 24-1 to 24-18 performer [consort of musicke], bass viol [great double bass viol] Piet Stryckers
tracks 24-1 to 24-18 performer [consort of musicke], bass violin Richard Webb
tracks 34-1 to 34-10 performer [consort of musicke], bass vocals Francis Steele
tracks 34-1 to 34-10 performer [consort of musicke], bass vocals John Milne
tracks 31-1 to 31-10, 34-1 to 34-10 performer [consort of musicke], countertenor vocals John York Skinner
tracks 18-1 to 18-16, 25-11, 25-12, 31-1 to 31-10 performer [consort of musicke], lute Anthony Rooley
tracks 34-1 to 34-10 performer [consort of musicke], mezzo-soprano vocals Evelyn Tubb
tracks 34-1 to 34-10 performer [consort of musicke], mezzo-soprano vocals Jacqueline Fox
tracks 31-1 to 31-10, 44-1 to 44-18, 50-1 to 50-11 performer [consort of musicke], organ Alan Wilson
tracks 18-1 to 18-16, 31-1 to 31-10, 34-1 to 34-10 performer [consort of musicke], soprano vocals Emma Kirkby
tracks 34-1 to 34-10 performer [consort of musicke], soprano vocals Poppy Holden
tracks 18-1 to 18-16, 24-1 to 24-18, , 29-1 to 29-22, 35-1 to 35-13, 50-1 to 50-11 performer [consort of musicke], tenor viol Alison Crum
tracks 32-1 to 32-20, 47-1 to 47-21 performer [consort of musicke], tenor viol Ian Gammie
tracks 35-1 to 35-13, 50-1 to 50-11 performer [consort of musicke], tenor viol Oliver Hirsh
tracks 29-1 to 29-22, 50-1 to 50-11 performer [consort of musicke], tenor viol Peter Trent
tracks 47-1 to 47-21 performer [consort of musicke], tenor viol Trevor Jones
tracks 24-1 to 24-18 performer [consort of musicke], tenor violin Mark Caudle
tracks 18-1 to 18-16, 34-1 to 34-10 performer [consort of musicke], tenor vocals Joseph Cornwell
tracks 50-1 to 50-11 performer [consort of musicke], theorbo Anthony Rooley
tracks 35-1 to 35-13, 50-1 to 50-11 performer [consort of musicke], treble viol Alison Crum
tracks 47-1 to 47-21 performer [consort of musicke], treble viol Catherine Mackintosh
tracks 32-1 to 32-20, 47-1 to 47-21, 44-1 to 44-18 performer [consort of musicke], treble viol Polly Waterfield
tracks 24-1 to 24-18, 32-1 to 32-20, 50-1 to 50-11 performer [consort of musicke], treble viol Trevor Jones
tracks 34-1 to 34-10 performer [consort of musicke], viol Alison Crum
tracks 34-1 to 34-10 performer [consort of musicke], viol Gregor Anthony
tracks 34-1 to 34-10 performer [consort of musicke], viol Oliver Hirsh
tracks 34-1 to 34-10 performer [consort of musicke], viol Trevor Jones
tracks 50-1 to 50-11 performer [consort of musicke], viola Alison Bury
tracks 50-1 to 50-11 performer [consort of musicke], viola Trevor Jones
tracks 24-1 to 24-18 performer [consort of musicke], viola [alto viola] Polly Waterfield
tracks 24-1 to 24-18 performer [consort of musicke], viola [tenor viola] Trevor Jones
tracks 50-1 to 50-11 performer [consort of musicke], violin Alison Bury
tracks 44-1 to 44-18, 47-1 to 47-21 performer [consort of musicke], violin Catherine Mackintosh
tracks 24-1 to 24-18, 31-1 to 31-10, 50-1 to 50-11 performer [consort of musicke], violin Monica Huggett
tracks 31-1 to 31-10, 47-1 to 47-21 performer [consort of musicke], violin Polly Waterfield
tracks 24-5, 24-6 performer [consort of musicke], virginal Alan Wilson
tracks 24-1 to 24-18 performer [guildhall waits], cornett Jeremy West
tracks 24-1 to 24-18 performer [guildhall waits], cornett [tenor cornett] Jonathan Morgan
tracks 24-1 to 24-18 performer [guildhall waits], dulcian [curtal] Andrew Watts
tracks 24-1 to 24-18 performer [guildhall waits], sackbut [tenor sackbut] Martin Pope
tracks 24-1 to 24-18 performer [guildhall waits], sackbut [tenor sackbut] Paul Nieman
tracks 30-1 to 30-9 performer [london cornett and sackbut ensemble ], sackbut Roger Brenner
tracks 30-1 to 30-9 performer [london cornett and sackbut ensemble ], sackbut Trevor Herbert
tracks 30-1 to 30-9 performer [london cornett and sackbut ensemble], cello Mark Caudle
tracks 30-1 to 30-9 performer [london cornett and sackbut ensemble], cornett Andrew Van Der Beek
tracks 30-1 to 30-9 performer [london cornett and sackbut ensemble], cornett Jeremy West
tracks 30-1 to 30-9 performer [london cornett and sackbut ensemble], cornett Michael Laird
tracks 30-1 to 30-9 performer [london cornett and sackbut ensemble], cornett Theresa Caudle
tracks 30-1 to 30-9 performer [london cornett and sackbut ensemble], cornett, sackbut [bass sackbut] Stephen Saunders
tracks 30-1 to 30-9 performer [london cornett and sackbut ensemble], dulcian Bernard Thomas
tracks 30-1 to 30-9 performer [london cornett and sackbut ensemble], sackbut Alan Lumsden
tracks 30-1 to 30-9 performer [london cornett and sackbut ensemble], sackbut Paul Beer
tracks 30-1 to 30-9 performer [london cornett and sackbut ensemble], sackbut Paul Nieman
tracks 30-1 to 30-9 performer [london cornett and sackbut ensemble], sackbut [tenor sackbut] Peter Harvey
tracks 16-1 to 16-22, 17-1 to 17-falan w26, 22-1 to 22-15 performer [medieval ensemble of london], alto vocals Margaret Philpot
tracks 16-1 to 16-22 performer [medieval ensemble of london], baritone vocals David Beavan
tracks 16-1 to 16-22, 17-1 to 17-26, 22-1 to 22-15 performer [medieval ensemble of london], baritone vocals Paul Hillier
tracks 17-1 to 17-26, 22-1 to 22-15 performer [medieval ensemble of london], countertenor vocals Timothy Penrose
tracks 2-1 to 2-16, 14-1 to 14-6, 16-1 to 16-22 performer [medieval ensemble of london], dulcian [douçaine] Peter Davies
tracks 10-1 to 10-12, 11-1 to 11-18, 17-1 to 17-26 performer [medieval ensemble of london], dulcimer Gregory Knowles
tracks 10-1 to 10-12, 11-1 to 11-18, 14-1 to 14-6, 17-1 to 17-26 performer [medieval ensemble of london], fiddle William Hunt
tracks 2-1 to 2-16, 10-1 to 10-12, 11-1 to 11-18, 14-1 to 14-6, v, 17-1 to 17-26 performer [medieval ensemble of london], fiddle, rebec Robert Cooper
tracks 10-1 to 10-12, 11-1 to 11-18, 14-1 to 14-6, 16-1 to 16-22, 17-1 to 17-26 performer [medieval ensemble of london], flute, recorder Peter Davies
tracks 2-1 to 2-16, 10-1 to 10-12, 11-1 to 11-18, 14-1 to 14-6 performer [medieval ensemble of london], gittern Timothy Davies
tracks 2-1 to 2-16, 14-1 to 14-6, 17-1 to 17-26 performer [medieval ensemble of london], harp Peter Davies
tracks 2-1 to 2-16, 10-1 to 10-12, 11-1 to 11-18, 14-1 to 14-6, 16-1 to 16-22, 17-1 to 17-26, 22-1 to 22-15 performer [medieval ensemble of london], lute Timothy Davies
tracks 17-1 to 17-26 performer [medieval ensemble of london], organ, regal Christopher Kite
tracks 10-1 to 10-12, 11-1 to 11-18 performer [medieval ensemble of london], recorder Andrew Watts
tracks 10-1 to 10-12, 11-1 to 11-18 performer [medieval ensemble of london], sackbut, recorder Martin Pope
tracks 10-1 to 10-12, 11-1 to 11-18, 14-1 to 14-26 performer [medieval ensemble of london], shawm [alto shawm] Peter Davies
tracks 14-1 to 14-6 performer [medieval ensemble of london], shawm [soprano shawm] Andrew Watts
tracks 16-1 to 16-22, 17-1 to 17-26, 22-1 to 22-15 performer [medieval ensemble of london], soprano vocals Patrizia Kwella
tracks 17-1 to 17-26 performer [medieval ensemble of london], tenor vocals Andrew King
tracks 16-1 to 16-22, 22-1 to 22-15 performer [medieval ensemble of london], tenor vocals Paul Elliott
tracks 16-1 to 16-22, 22-1 to 22-15 performer [medieval ensemble of london], tenor vocals Rogers Covey-Crump
tracks 14-1 to 14-6 performer [medieval ensemble of london], trumpet [slide trumpet] Martin Pope
tracks 22-1 to 2-15 performer [medieval ensemble of london], vielle Robert Cooper
tracks 33-11, 33-22 performer [sneak's noyse], crumhorn, dulcian [curtal] Ben Dover
tracks 33-11, 33-22 performer [sneak's noyse], lute, cittern Reggie Coates
tracks 33-11, 33-22 performer [sneak's noyse], rebec Roderick Skeaping
tracks 33-11, 33-2233-11, 33-22 performer [sneak's noyse], recorder, tambourine Lucie Skeaping
tracks 30-1 to 30-9 performer [taverner ensemble], organ [chamber organ] Colin Tilney
tracks 30-1 to 30-9 performer [taverner ensemble], viola Ian Gammie
tracks 30-1 to 30-9 performer [taverner ensemble], viola Nicola Cleminson
tracks 30-1 to 30-9 performer [taverner ensemble], viola Trevor Jones
photography by [wallet front, cd 25] Erich Lessing
photography by [p. 115] Michael Evans
photography by [p. 116] John Thomson
photography by [p. 23] Nick White
photography by [p. 40] Jean-Pierre Masclet
photography by [p. 6] Peter Wadland
photography by [p. 9] Jean-Luc Girard
photography by [pp. 67, 122, 124] Clive Barda
tracks 49-1 to 49-17 producer Chris Hazell
tracks 13-1 to 13-12 producer Chris Sayers
tracks 10-1 to 10-12, 11-1 to 11-16, 14-1 to 14-26, 15-1 to 15-10, 18-1 to 18-16, 19-1 to 19-13, 20-1 to 20-15, 21-1 to 21-15, 24-1 to 24-18, 42-1 to 42-20, 43-1 to 43-13, 50-1 to 50-11 producer Morten Winding
tracks 1-1 to 1-13, 2-1 to 2-16, 3-1 to 3-14, 4-1 to 4-10, 5-1 to 5-31, 6-1 to 6-11, 7-1 to 7-10, 8-1 to 8-24, 12-1 to 12-12, 16-1 to 16-22, 17-1 to 17-26, 22-1 to 22-15, 25-1 to 25-38, 26-1 to 26-20, 27-1 to 27-21, 28-1 to 28-16, 30-1 to 30-9, 31-1 to 31-10, 32-1 to 32-20, 34-1 to 34-10, 35-1 to 35-13, 36-1 to 36-17, 37-1 to 37-14, 38-1 to 38-13, 39-1 to 39-9, 44-1 to 44-18, 45-1 to 45-21, 46-1 to 46-21, 47-1 to 47-21, , 48-1 to 48-15 producer Peter Wadland
tracks 33-1 to 33-22 producer [assistant producer] Lucy Robinson
tracks 33-1 to 33-22 producer, engineer [recording engineer] Adam Skeaping
tracks 12-1 to 12-12, 15-1 to 15-10, 18-1 to 18-16, 26-1 to 26-20, 28-1 to 28-16, 32-1 to 32-20, 36-1 to 26-17, 37-1 to 36-14, 38-1 to 38-13, 39-1 to 39-9, 44-1 to 44-18, 47-1 to 47-21, 50-1 to 50-11 remastered by Ben Wiseman
tracks 12-1 to 12-12, 15-1 to 15-10, 18-1 to 18-16, 26-1 to 26-20, 28-1 to 28-16, 32-1 to 32-20, 36-1 to 26-17, 37-1 to 36-14, 38-1 to 38-13, 39-1 to 39-9, 44-1 to 44-18, 47-1 to 47-21, 50-1 to 50-11 remastered by Craig Thompson
tracks 12-1 to 12-12, 15-1 to 15-10, 18-1 to 18-16, 26-1 to 26-20, 28-1 to 28-16, 32-1 to 32-20, 36-1 to 26-17, 37-1 to 36-14, 38-1 to 38-13, 39-1 to 39-9, 44-1 to 44-18, 47-1 to 47-21, 50-1 to 50-11 remastered by Paschal Byrne
Phonographic Copyright (p) Decca Music Group Limited
Phonographic Copyright (p) The Folio Society Limited
Copyright (c) Decca Music Group Limited
Copyright (c) Raymond McGill
Recorded At Kingsway Hall
Recorded At American Academy Of Arts And Letters
Published By Stainer & Bell
Recorded At Walthamstow Assembly Hall
Recorded At Temple Church, London
Recorded At Decca Studios
Recorded At Church Of St George The Martyr, London
Recorded At St Martin's Church, East Woodhay, Hampshire
Recorded At Henry Wood Hall, London
Recorded At St. Barnabas Church, London
Recorded At All Saints Church Petersham
Recorded At Christ Church, Sutton
Recorded At Finchcocks, Goudhurst, Kent
Recorded At Germanisches Nationalmuseum
Recorded At Forde Abbey
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Glass Mastered At EDC, Germany
Mastered At The Audio Archiving Company
Designed At WLP Ltd.
© 2016 Decca Music Group Limited
℗ 2016 Decca Music Group Limited

The L'Oiseau Story © 2014 Raymond McGill

Cardboard sleeves in cardboard box. Included 200 p. booklet.
Lyrics and sung texts may be downloaded at https://www.loiseau-lyre.co.uk (Inactive)

Editor's Note 1: Recordings by The Medieval Ensemble of London and The Consort Of Musicke, and other ensembles, are listed in the booklet with members of the Ensemble who participated in the recording for each track, but generally not what instruments they played. Vocal ranges are usually listed per track, and are including in the track listing. Because of how this information is presented, since their tracks are individual works and not part of a larger work, it is impossible to provide complete instrumental credits for each track.
Therefore, the general Credits section is used to note artists credited as performers & members of these ensembles with instruments used, and vocal range, if not provided in the booklet.
Editor's Note 2: Tracks with - for track position are to separate parts or acts that would ordinarily call for a Header, to keep complete works under a single Index Track.
Editor's Note 3: Some tracks are divided into separate subtracks as clearly presented on disc sleeves or booklet, to manage multipart tracks. Track position is as printed or by using #.# convention. The printed track timing is entered for the Originally subtrack only.
Editor's Note 4: Instrument Builder credits are in the Credits section rather than track listing.

CD 1 60:29 DDD
Recording Location: The American Academy of Arts and Letters, New York City, 31 October-2 November 1985.
℗ 1985 Decca Music Group Limited
Originally released as [m988498=L'Oiseau-Lyre 417 342-2], 1985.

CD 2 61:37 DDD
Recording Location: Kingsway Hall, London, 2 January 1982.
℗ 1983 Decca Music Group Limited
Originally released as [m814381=L'Oiseau-Lyre DSDL 704], 1983.

CD 3 61:37 DDD
Recording Location: Henry Wood Hall, London, 12-14 January 1986.
℗ 1986 Decca Music Group Limited
Originally released as [m872580=L'Oiseau-Lyre 417 373-2], 1986.

CD 4 69:48 DDD
Recording location: Temple Church, London, 28-30 November 1990.
℗ 1992 Decca Music Group Limited
Originally released as [r11010851=L'Oiseau-Lyre 433 186-2], 1982.

CD 5 75:19 DDD
Recording location: Temple Church, London, 5-8 February 1990.
℗ 1992 Decca Music Group Limited
Originally released as [m1149864=L'Oiseau-Lyre 433 194-2], 1992.

CD 6 53:45 CD 7 72:35 Total timing 126:20 DDD
Recording Location: Temple Church, London, 31 October-4 November 1989.
℗ 1992 Decca Music Group Limited
Originally released as [m1062946=L'Oiseau-Lyre 433 148-2], 1992.

CD 8 48:51 DDD
Recording Location: London, 4-9 January 1982
℗ 1983 Decca Music Group Limited
Originally released as [r2656432=L'Oiseau-Lyre DSDL 705], 1982.

CD 9 67:05 DDD
Recording Location: Walthamstow Assembly Hall, London, 21 & 22 Mar 1994.
℗ 1996 Decca Music Group Limited
Originally released as L'Oiseau-Lyre 444 173-2, 1996.

CD 10 63:10 CD 11 67:34 Total timing 130:44
Recording Location: St George the Martyr, London, Feb 1981
℗ 1982 (corrected from 1992) Decca Music Group Limited
Originally released as [m1682406=L'Oiseau-Lyre D254D3], 1982.

CD 12 50:50
Recording Location: Decca Studios, West Hempstead, London, January 1978.
℗ 1980 Decca Music Group Limited
Originally released as [r6823904=L'Oiseau-Lyre DSLO 577], 1980.

CD 13 66:24 DDD
Recording Location: Church of St Martin of Tours, East Woodhay, Berkshire, 23-25 May 1995.
℗ 1996 Decca Music Group Limited
Originally released as [m1682274=L'Oiseau-Lyre 448 992-2], 1996.

CD 14 69:14 ADD
Recording Location: Decca Studios, West Hempstead, London, July 1980.
℗ 1981 Decca Music Group Limited
Originally released as [m1536346=L'Oiseau-Lyre D237D2], 1981.

CD 15 51:57 DDD
Recording Location: Henry Wood Hall, London, 6-9 January 1984.
℗ 1984 Decca Music Group Limited
Originally released as [m682535=411 937], 1984.

CD 16 47:21 DDD
Recording Location: Henry Wood Hall, London, 6-9 January 1984.
℗ 1985 Decca Music Group Limited
Originally released as [r7060630=L'Oiseau-Lyre 411 938-1], 1985.

CD 17 61:35 DDD
Recording Location: Henry Wood Hall, London, 4-8 January 1983.
℗ 1983 Decca Music Group Limited
Originally released as [r4984263=L'Oiseau-Lyre 410 107-1], 1983.

CD 18 51:40 DDD
Recording Location: Decca Studios, West Hempstead, London, 16-21 June 1980.
℗ 1981 Decca Music Group Limited
Originally released as L'Oiseau-Lyre DSLO 593, 1981.

CD 19 34:59 CD 20 65:04 CD 21 64:05 Total timing 164:08 ADD
Recording: Decca Studios, West Hampstead, London, 20 February-1 March 1979.
© 1980 Decca Music Group Limited
Originally released as [m1675552=L'Oiseau-Lyre D186D4], 1980..

CD 22 62:29 DDD
Recording: Henry Wood Hall, London, 4-8 January 1983.
℗ 1983, Decca Music Group Limited
Originally released as [m1684557=L'Oiseau-Lyre DSDL 714], 1983.

CD 23 71:20 DDD
Recording: Decca Studio 3, West Hampstead, November-December 1978 (Erminia); St. Barnabas' Church, London, March 1982 (San Pietro).
℗ 1980 (Erminia), 1982 (San Pietro) Decca Music Group Limited
San Pietro Originally released as [m1536829=L'Oiseau-Lyre DSDL 706], 1982.
Erminia Originally released on [r6824687=L'Oiseau-Lyre DSLO 570], 1980.

CD 24 42:08 ADD
Recording: Decca Studios, West Hampstead, 23-25 April 1969.
℗ 1980 Decca Music Group Limited
Originally released as [m1322892=DSLO 569], 1980.

CD 25 66:17 DDD
Recording: Walthamstow Assembly Hall, October 1991.
℗ 1993 Decca Music Group Limited
Originally released as [m896097=L'Oiseau-Lyre 436 131-2], 1993.

CD 26 65:21 ADD
Recording Location: Decca Studios, West Hempstead, London, 3-9 July 1977.
℗ 1979 Decca Music Group Limited
Originally released as L'Oiseau-Lyre DSLO 555, 1979.

CD 27 53:48 ADD
Recording location: Henry Wood Hall, London, 1-3 March 1983.
℗ 1983 Decca Music Group Limited
Originally released as [m779699=L'Oiseau-Lyre 410 128-1], 1983.

CD 28 48:53 DDD
Recording location: St. Barnabas' Church, London 8-11 June 1982.
℗ 1983 Decca Music Group Limited
Originally released as [m1017067=L'Oiseau-Lyre DSDL 708], 1983.

CD 29 51:58 ADD
Recording location: St. Barnabas' Church, London, May 1981.
℗ 1982 Decca Music Group Limited
Editor's Note, Track 11: Skriking: From Middle English skriken, a borrowing from Old Norse skríkja (“to scream”) (compare Old English sċrīċ, sċrēċ > English shriek/screech), literally bird with a shrill call, referring to a thrush, possibly imitative of its call. Attested from ca. 1573 (https://en.wiktionary.org/wiki/skrike). John Wilbye was born in 1574.
Originally released as [r5701499=L'Oiseau-Lyre DSLO 597], 1982.

CD 30 50:08 DDD
Recording: All Saints Church, Petersham, Surrey, 30 June-2 Jul 1977.
℗ 1978 Decca Music Group Limited
Originally released as [m826376=L'Oiseau-Lyre DSLO 537], 1977.

CD 31 47:57 ADD
Recording location: Decca Studios, West Hampstead, London, 27 November-5 December 1978
℗ 1979 Decca Music Group Limited
Originally released as [m1688385=L'Oiseau-Lyre DSLO 576], 1979.

CD 32 44:17 ADD
Recording Location: Decca Studios, West Hampstead, London, 12-14 February 1975.
℗ 1975 Decca Music Group Limited
Originally released as [m1285427=L'Oiseau-Lyre DSLO 12], 1975.

CD 33 51:39 ADD
Recording location: Christ Church, Sutton, Surrey, April 1978.
℗ 1983 Decca Music Group Limited
℗ 1978 The Folio Society Limited, London, England
Originally released as [m1342219=L'Oiseau-Lyre DSLO 606], 1983.

CD 34 65:24 ADD
Recording location: Decca Studios, West Hampstead, London, 12-17 May 1980.
℗ 1981 Decca Music Group Limited
Originally released as [m685767=L'Oiseau-Lyre DSLO 596], 1981.

CD 35 51:18 ADD
Recording Location: Decca Studios, West Hampstead, 16-19 September 1980
℗ 1983 Decca Music Group Limited
Originally released as [r5139443=L'Oiseau-Lyre DSLO 599], 1983.

CD 36 84:38 ADD
Recording Location: The Adlam-Burnett collection of historical keyboard instruments, Finchcocks, Goudhurst, Kent, June 1975
℗ 1976 Decca Music Group Limited
Originally released as [m1296864=L'Oiseau-Lyre DSLO 566] (tracks 1-13), 1979; [m827924=L'Oiseau-Lyre 29D1-3] (tracks 14-17), 1976.

CD 37 43:33 ADD
Recording Location: All Saints' Church, Petersham, Surrey, 29 March 1974
℗ 1977 Decca Music Group Limited
Originally released as [m1497868=L'Oiseau-Lyre DSLO 510], 1977.

CD 38 52:23 CD 39 47:33 Total timing: 99:56 ADD
Recording Locations: Knole House, Kent, 28 April 1981 (organ [English, c. 1523]); Ham House, Surrey, 7-9 May 1981 (spinet, [Marco Jadra, Italian 1568] & virginal [Thomas White. London 1642]); Fitzwilliam Museum, Cambridge, 11 May 1981 (harpsichord [Italian, 16th century])
℗ 1977 Decca Music Group Limited
Originally released as [m1052670=L'Oiseau-Lyre D261D2], 1981.

CD 40 50:32 CD 41 42:37 Total timing: 93:09 DDD
Recording Location: Germanisches Nationalmuseum, Nuremberg, 31 May-6 Jun 1981.
℗ 1982 The Decca Record Company Limited
Played on three harpsichords: tracks 40-1 to 40-4, 40-8, 41-6 to 41-10: Giovanni Battista Giusti, Lucca 1681; tracks 40-5, 40-9, 40-10: Anon., Italian ca. 1650; tracks 40-6, 40-7, 41-1 to 41-3, 41-5: Carlo Grimaldi, Messina 1697, and Virginal on track 41-4: Dominicus Pisaurensis, Venice 1540
Originally released as [m1283930=L'Oiseau-Lyre D260D1/2], 1982.

CD 42 75:31 DDD
Recording location: Forde Abbey, Chard, Somerset, 26 March 1984
℗ 1986 Decca Music Group Limited
Originally released as [m1400941=L'Oiseau-Lyre 414 148-2], 1986.

CD 43 52:55 ADD
Recording Location: Decca Studios, West Hampstead, 25-27 June 1979
℗ 1980 Decca Music Group Limited
Originally released as [m1283930=L'Oiseau-Lyre DSLO 587], 1980.

CD 44 60:02 DDD
Recording Location: Decca Studios, West Hampstead, London, 13-28 February 1978
℗ 1979 Decca Music Group Limited
Note: Total time for Sett No. 8 In D Major is 8:03, not 11:12 as listed on sleeve back and booklet.
Originally released as [m820152=L'Oiseau-Lyre DSLO 564], 1979.

CD 45 58:27 ADD
Recording Location: Decca Studios, West Hampstead, London, UK, 6-8 December 1978
℗ 1980 Decca Music Group Limited
Originally released as [m1256655=L'Oiseau-Lyre DSLO 545], 1980.

CD 46 75:00 ADD
Recording location: Decca Studios, West Hampstead, London, 27-30 January 1976.
℗ 1976 Decca Music Group Limited
Originally released as [m955440=L'Oiseau-Lyre DSLO 580-9], 1976.

CD 47 62:27 ADD
Recording location: Decca Studios, West Hampstead, London, 26-28 January 1976.
℗ 1976 Decca Music Group Limited
Originally released as [m1041160=L'Oiseau-Lyre DSLO 517], 1976.

CD 48 50:26 DDD
Recording location: Henry Wood Hall, London, 21-23 March 1985
℗ 1986 Decca Music Group Limited
Originally released as [m1041160=L'Oiseau-Lyre 414 633-2], 1976.

CD 49 60:34 DDD
Recording location: Henry Wood Hall, London, 15-17 April 1988.
℗ 1990 Decca Music Group Limited
Originally released as [r8083476=L'Oiseau-Lyre 425 610-2], 1990.

CD 50 69:32 ADD
Recording location: Church of St George the Martyr, London, 11-13 May 1981
℗ 1982 Decca Music Group Limited
Originally released as [m1250138=L'Oiseau-Lyre DSLO 600], 1983.
Barcode: 0 28947 88104 9 (Text)
Barcode: 028947881049 (Scanned)
Label Code: LC 00254
SPARS Code: ADD/DDD
Rights Society: BIEM/SDRM
Matrix / Runout: 00289 478 810-5 01 ✳ 53694151 4 x [Universal logo] (CD1)
Mastering SID Code: IFP LV26 (CD1, CD2, CD39)
Mould SID Code: IFPI 0128 (CD1, CD13)
Other: MADE IN GERMANY BY EDC (Inner ring)
Matrix / Runout: 00289 478 810-6 01 ✳ 53694163 4 x [Universal logo] (CD2)
Mould SID Code: IFPI 0156 (CD2)
Matrix / Runout: 00289 478 810-7 01 + 53694165 4 x [Universal logo] (CD3)
Mastering SID Code: IFPI LV27 (CD3 to CD6, CD12, CD17, CD18, CD25 to CD37, CD40, CD41)
Mould SID Code: IFPI 0154 (CD3, CD30)
Matrix / Runout: 00289 478 810-9 01 + 53694167 4 x [Universal logo] (CD4)
Mould SID Code: IFPI 0129 (CD4)
Matrix / Runout: 00289 478 810-9 01 + 53694193 4 x [Universal logo] (CD5)
Mould SID Code: IFPI 0120 (CD5, CD11, CD20, CD24)
Matrix / Runout: 00289 478 811-0 01 + 53694169 4 x [Universal logo] (CD6)
Mould SID Code: IFPI 0148 (CD6)
Matrix / Runout: 00289 478 811-1 01 # 53694173 4 x [Universal logo] (CD7)
Mastering SID Code: IFPI LZ87 (CD7 to CD11, CD13 to CD16, CD19 to CD24, CD38, CD42, CD46 to CD50)
Mould SID Code: IFPI 0115 (CD7, CD12, CD19, CD21, CD26, CD29)
Matrix / Runout: 00289 478 811-2 01 # 53694171 4 x [Universal logo] (CD8)
Mould SID Code: IFPI 0140 (CD8)
Matrix / Runout: 00289 478 811-3 01 # 43694175 4 x [Universal logo] (CD9)
Mastering SID Code: IFPI 0117 (CD9, CD35, CD36)
Matrix / Runout: 00289 478 811-4 01 # 53694177 (CD10)
Mould SID Code: IFPI 0141 (CD10, CD16, CD18, CD37, CD38, CD 42 to CD45)
Matrix / Runout: 00289 478 811-5 01 # 53693179 (CD11)
Matrix / Runout: 00289 478 811-6 01 + 53694589 [4 x Universal logo] (CD12)
Matrix / Runout: 00289 478 811-7 01 # 53694183 4 x [Universal logo] (CD13)
Matrix / Runout: 00289 478 811-8 01 # 53694574 [4 x Universal logo] (CD14)
Mould SID Code: IFPI 0118 (CD14, CD39)
Matrix / Runout: 00289 478 811-9 01 # 53694181 4 x [Universal logo] (CD15)
Mould SID Code: IFPI 0155 (CD15, CD31, CD41, CD42, CD44, CD47)
Matrix / Runout: 00289 478 812-0 01 + 53703964 4 x [Universal logo] (CD16)
Matrix / Runout: 00289 478 812-1 01 + 53674578 4 x [Universal logo] (CD17)
Mould SID Code: IFPI 0126 (CD17, CD26 to CD35)
Matrix / Runout: 00289 478 812-2 01 + 53694576 4 x [Universal logo] (CD18)
Matrix / Runout: 00289 478 812-3 01 # 53696988 4 x [Universal logo] (CD19)
Matrix / Runout: 00289 478 812-4 01 # 53696978 4 x [Universal logo] (CD20)
Matrix / Runout: 00289 478 812-3 01 # 53696980 4 x [Universal logo] (CD21)
Matrix / Runout: 00289 478 812-6 01 # 53694185 4 x [Universal logo] (CD22)
Mould SID Code: IFPI 0133 (CD22, CD23, CD50)
Matrix / Runout: 00289 478 812-7 01 # 53694187 [4 x Universal logo] (CD23)
Matrix / Runout: 00289 478 812-8 01 # 53696986 [4 x Universal logo] (CD24)
Matrix / Runout: 00289 478 812-9 01 + 53694191 [4 x Universal logo] (CD25)
Mould SID Code: IFPI 0120 (CD25)
Matrix / Runout: 00289 478 813-0 01 + 53694585 4 x [Universal logo] (CD26)
Matrix / Runout: 00289 478 813-1 01 + 53694189 [4 x Universal logo] (CD27)
Mould SID Code: IFPI 0153 (CD27, CD45)
Matrix / Runout: 00289 478 813-2 01 + 53690664 [4 x Universal logo] (CD28)
Mould SID Code: IFPI 0124 (CD28)
Matrix / Runout: 00289 478 813-3 01 + 53694587 4 x [Universal logo] (CD29)
Matrix / Runout: 00289 478 813-4 01 + 53694195 4 x [Universal logo] (CD30)
Matrix / Runout: 00289 478 813-5 01 + 53696976 [4 x Universal logo] (CD31)
Matrix / Runout: 00289 478 813-6 01 + 53690662 [4 x Universal logo] (CD32)
Mould SID Code: IFPI 0132 (CD32)
Matrix / Runout: 00289 478 813-7 01 + 53694250 [4 x Universal logo] (CD33)
Mould SID Code: IFPI 0113 (CD33)
Matrix / Runout: 00289 478 813-8 01 + 53694254 4 x [Universal logo] (CD34)
Mould SID Code: IFPI 0123 (CD34)
Matrix / Runout: 00289 478 813-9 01 + 53694581 4 x [Universal logo] (CD35)
Matrix / Runout: 00289 478 814-0 01 + 53695809 4 x [Universal logo] (CD36)
Matrix / Runout: 00289 478 814-1 01 + 53696984 4 x [Universal logo] (CD37)
Matrix / Runout: 00289 478 814-2 02 # 53696992 4 x [Universal logo] (CD38)
Matrix / Runout: 00289 478 814-3 01 ✳ 53696990 4 x [Universal logo] (CD39)
Matrix / Runout: 00289 436 195-2 01 + 53694252 4 x [Universal logo] (CD40)
Mould SID Code: IFPI 0125 (CD40)
Matrix / Runout: 00289 436 195-2 01 + 53694252 4 x [Universal logo] (CD41)
Matrix / Runout: 00289 478 814-6 01 # 53694256 4 x [Universal logo] (CD42)
Matrix / Runout: 00289 478 814-7 01 # 53694264 4 x [Universal logo] (CD43)
Mould SID Code: IFPI 0157 (CD43, CD46, CD48)
Matrix / Runout: 00289 478 814-8 01 # 53690660 4 x [Universal logo] (CD44)
Matrix / Runout: 00289 478 814-9 01 # 53696982 4 x [Universal logo] (CD45)
Matrix / Runout: 00289 478 815-0 01 # 53694258 4 x [Universal logo] (CD46)
Matrix / Runout: 00289 478 815-1 01 # 53690667 4 x [Universal logo] (CD47)
Matrix / Runout: 00289 478 815-2 01 # 53694266 4 x [Universal logo] (CD48)
Matrix / Runout: 00289 478 815-3 01 # 53694262 (CD49)
Mould SID Code: IFPI 0160 (CD49)
Matrix / Runout: 00289 478 815-4 01 # 53694583 4 x [Universal logo] (CD50)