tracks 6, 8, 10 arranged by Don Grusin tracks 5 arranged by Dori Caymmi tracks 1, 2, 6, 8 to 10 arranged by Tim Weston tracks 1, 6 arranged by [horn section] Gary Meek art direction Jim York band Paulo Ramos Group band [paulo ramos group], bass guitar Dan Gigon band [paulo ramos group], drums Yves Gigon band [paulo ramos group], vocals, acoustic guitar, percussion Paulo Ramos design Audrey Krauss executive-producer Kaz Hori musician [additional], alto saxophone, tenor saxophone Gary Meek musician [additional], electric guitar, acoustic guitar Tim Weston musician [additional], percussion Alex Acuña musician [additional], programmed by [synthesizer] Eric Persing musician [additional], synthesizer, piano [acoustic] Don Grusin musician [additional], trombone Jon Bonine musician [additional], trumpet, flugelhorn Ralf Rickert musician [additional], vocals Karen Blake musician [additional], vocals Marilyn Scott musician [additional], vocals Shelby Flint photography by Hideo Kawahara photography by Momo Creative Acts Co., Ltd. producer Tim Weston tracks 6 programmed by Don Grusin tracks 6 programmed by Tim Weston recorded by Roger Nichols recorded by [assistant] Scott Gould supervised by [album] Ken Ohyama supervised by [album] Kiyoshi Mizukami tracks 1, 2, 4 to 10 written-by Paulo Ramos Phonographic Copyright (p) Taiyo Music Inc. Copyright (c) Taiyo Music Inc. Phonographic Copyright (p) HoriPro Inc. Copyright (c) HoriPro Inc. Licensed To Mesa/Bluemoon Recordings, Ltd. Marketed By Mesa/Bluemoon Recordings, Ltd. Distributed By Rhino Records Inc. Distributed By BMG Music Canada INC. Recorded At Entourage Studios Mixed At Master Control, Burbank Mastered At Bernie Grundman Mastering Glass Mastered At Nimbus Published By Taiyo Music Inc. Published By HoriPro Inc. Recorded at Entourage Studios, North Hollywood Recorded and Mixed on the Meyer HD-1 Monitors Mixed at Master Control, Burbank Mastered at Bernie Grundman Mastering, Hollywood
All songs published by Taiyo Music, Inc. and Hori Pro Inc.; except Track 3 Published by HoliPro Inc.
Don Grusin and Alex Acuna appear by courtesy of GRP Records Dori Caymmi appears by courtesy of Qwest Records.
Futuro wasn't Paulo Ramos' first album for Mesa/Bluemoon, but it is arguably his best and most essential album. The list of people who join the Brazilian pop singer on this CD is fairly impressive; the participants range from Brazilian star Dori Caymmi (whose acoustic guitar is heard is heard on the sensuous Viajar Cancao) to American jazz musicians like keyboardist/pianist Don Grusin (Dave Grusin's brother) and saxophonist Gary Meek. But Futuro isn't jazz, although Ramos' Brazilian pop (which is called MPB, or musica popular braziliera in Brazil) does contain elements of jazz and funk. Those who might question Futuro's authenticity because it was recorded in Los Angeles and employs so many American musicians needn't worry; if you didn't read the credits, you could easily assume that Chegando Ao Futuro, Lembranca, and other melodic MPB jewels were recorded in Rio de Janeiro or São Paolo. And besides, it's hard to question Ramos' decision to record in L.A. when you consider how influential American pop, jazz, and funk have been all over Brazil. Ramos has learned some things from American music, and similarly, Brazilian music has been a source of inspiration for Americans who range from Stan Getz to George Duke. Most of Futuro's lyrics are in Portuguese, although Sincopado is a bilingual offering that finds Ramos performing a vocal duet with American singer Shelby Flint -- she sings in English, while he sticks to Portuguese (his primary language). And the tune becomes a memorable Brazilian/American exchange. Futuro is hardly the only Ramos album that's worth owning, but if you must limit yourself to only one Ramos release, Futuro is the disc to acquire. Barcode: 0 8122-79028-2 7 Barcode: 081227902827 (Scan) Matrix / Runout: 79028 (V) MASTERED BY NIMBUS