a&r Evan Lamberg a&r Gregg Latterman a&r Lee Dannay arranged by [strings arrangements] David Campbell arranged by [strings arrangements] George Del Barrio arranged by [strings arrangements] John Ondrasik art direction David Bett art direction Stephen Byram bass, guitar [guitars] Curt Schneider booking Larry Webman booking Little Big Man Booking booking Marty Diamond coordinator [album coordinator] Mat Hall drums, percussion Joey Waronker edited by [digitally edited by] Stewart Whitmore engineer [pro tools engineer] Curt Schneider engineer [pro tools engineer] Mikal Blue guitar [guitars] Andrew Williams management Jim Grant management Jim Grant Management mastered by Stephen Marcussen mixed by Mark Endert mixed by [mixing assistant] William Rivera musician [additional musician], guitar [guitars] Bruce Watson musician [additional musician], guitar [guitars] Michael Ward musician [additional musician], keyboards Dave Palmer musician [additional musician], keyboards Rob Arthur musician [additional musician], percussion Luis Conte photography by Jim Wright producer [produced by] Andrew Williams producer [produced by] Curt Schneider producer [produced by] John Ondrasik recorded by Curt Schneider vocals, piano, guitar [guitars], keyboards John Ondrasik words by, music by John Ondrasik Phonographic Copyright (p) Aware Records LLC Copyright (c) Aware Records LLC Manufactured By Columbia Records Distributed By Columbia Records Record Company Sony BMG Music Entertainment Recorded At Revolver Studios, Westlake, CA Recorded At Curt's Garage Recorded At Capitol Studios Mixed At Scream Studios, FL Edited At Marcussen Mastering Mastered At Marcussen Mastering Copyright (c) EMI Blackwood Music Inc. Copyright (c) Five For Fighting Music Copyright (c) Shaye Smith Music Glass Mastered At Sonopress Arvato, USA Recorded at Revolver Studios, Curt's Garage, Capitol Studios, and John's House Mixed at Scream Studio Mastered by Stephen Marcuessen Digitally edited by Stuart Whitmore for Marcussen Mastering, Hollywood, CA
I hope this album finds you well in your worlds. This time around I've been lucky to find two great songwriters to help in the writing of this record. My daughter Olivia gave me I Just Love You on a late night phone call, and on the way to his great grandmother's funeral, my son Johnny asked What if there was a road to heave... Thank you to those who sat down and gave me their insights while doing research for this album, particularly a certain young lieutenant and father who inspired Two Lights. The saga of the Policeman's Xmas Party is real, as is the '65 powder blue Mustang that grazes in my driveway. May your lives be filled with riddles and reasons...