art direction [album art direction] Dean Tavoularis
contractor [choir contractor] Ron Hicklin
contractor [singers contractor] Douglas Kibble
copyist Chris Poehler
copyist George Annis
design [album design] Alex Tavoularis
design [album design] Dennis Gassner
edited by [music editor] Stan Witt
engineer [mastering] Paul Stubblebine
engineer [recording engineer, cbs] Chuck Garsha
engineer [recording engineer, cbs] Phil Yeend
engineer [recording engineer, club front] Betty Cantor-Jackson
engineer [recording engineer, club front] Bob Matthews
engineer [recording engineer, club front] Brett Cohen
engineer [recording engineer, club front] Dan Healy
engineer [recording engineer, different fur] Emil Flock
engineer [recording engineer, different fur] Stacy Baird
engineer [recording engineer, different fur] Steve Mantoani
engineer [recording engineer, omni zoetrope] Jim Austin
engineer [recording engineer, omni zoetrope] Kathy Morton
engineer [recording engineer, omni zoetrope] Richard Beggs
engineer [recording engineer, the automatt] Bill Steele
engineer [recording engineer, the automatt] Ken Kessie
engineer [recording engineer, the automatt], engineer [mixing] Leslie Ann Jones
engineer [special mixing assistance] Shirley Walker
guitar Randy Hansen
tracks a5, a7, b1, b4, b5, b7, b9 to d1, d3, d5 music by Francis Ford Coppola
tracks a5, a7, b1, b4, b5, b7, b9 to d1, d3, d5 music by, conductor [choir] Carmine Coppola
painting [album cover painting] Bob Peak
percussion [percussion based score] Mickey Hart
performer The Rhythm Devils
performer [performed with the rhythm devils] Bill Kreutzmann
performer [performed with the rhythm devils] Greg Errico
performer [performed with the rhythm devils] Jim Loveless
performer [performed with the rhythm devils] Jordan Amarantha
performer [performed with the rhythm devils] Phil Lesh
performer [performed with the rhythm devils] Zakir Hussain
photography by [still photography] Chas Gerretsen
photography by [still photography] Josh Weiner
producer, engineer [mixing] David Rubinson
production manager [music production co-ordinator] Teresa Zaleska
supervised by, edited by [supervising sound editor] Richard Cirincione
synthesizer [master synthesist] Patrick Gleeson
synthesizer [synthesist assisted by] Andy Narell
synthesizer [synthesist] Bernie Krause
synthesizer [synthesist] Don Preston
synthesizer [synthesist] Richard Beggs
synthesizer [synthesist] Shirley Walker
synthesizer [synthesist], electronic valve instrument [evi soloist] Nyle Steiner
technician [studio assistant, omni zoetrope] Shelley Higgins
vocals [gospel singers] Henrietta Davis
vocals [gospel singers] Jeanie Tracy
vocals [gospel singers] Sheila Ellis
Record Company Warner Communications
Distributed By Elektra/Asylum/Nonesuch Records
Made By WEA Musik GmbH
Copyright (c) Omni Zoetrope
Phonographic Copyright (p) Omni Zoetrope
Recorded At The Automatt
Recorded At Omni Zoetrope Studios
Recorded At Different Fur Studios
Recorded At Club Front
Recorded At CBS Studio Center
Mixed At The Automatt
Mastered At The Automatt
Lacquer Cut At Tonstudio Pfanz
[Back Cover]
℗ & © 1979 Omni Zoetrope.
Made in Germany by WEA Musik GmbH [Warner logo] A Warner Communications Company.
Distributed by Elektra/Asylum/Nonesuch Records

[Labels]
℗ 1979 Omni Zoetrope
Made in Germany by WEA Musik GmbH [Warner logo] A Warner Communications Company

[Sleeve: The Film 1]
© 1979 Omni Zoetrope.
Made in Germany by WEA Musik GmbH [Warner logo] A Warner Communications Company.

Production and post production facilities furnished through Omni Zoetrope Studios, San Francisco/Los Angeles, California

[Sleeve: The Music 2]
© 1979 Omni Zoetrope.
Made in Germany by WEA Musik GmbH [Warner logo] A Warner Communications Company.

Patrick Gleeson - courtesy of [l267448]
Mickey Hart - courtesy of [l22429]
Airto Moreira - courtesy of [l90718]
Special thanks to Flora Purim - courtesy of [l90718]
The Ride Of The Valkyries from Die Walkure - courtesy of The Decca Record Company Ltd./[l268024]
Susie Q - courtesy of [l65928]

Music recorded at The Automatt, San Francisco, Omni Zoetrope Studios, San Francisco, Different Fur Music, San Francisco, Club Front, San Rafael
Additional recording at CBS Studio Center, Los Angeles
Album mixed and mastered at The Automatt, San Francisco

The extract from the Hollow Men by T.S. Eliot is read by permission of Mrs. Valerie Eliot and Faber and Faber Ltd. London

The runout strings are etched
Price Code: Germany: Ⓞ
Label Code: LC 0192
Price Code: France: WE 322
Rights Society: GEMA
Matrix / Runout: ELK 62 025-1 (DP 90 001 - A) (Side A label)
Matrix / Runout: ELK 62 025-1 (DP 90 001 - B) (Side B label)
Matrix / Runout: ELK 62 025-2 (DP 90 001 - C) (Side C label)
Matrix / Runout: ELK 62 025-2 (DP 90 001 - D) (Side D label)
Matrix / Runout: WEA 62025-A PF (Side A runout)
Matrix / Runout: WEA 62025-B PF (Side B runout)
Matrix / Runout: WEA 62025-C PF (Side C runout)
Matrix / Runout: WEA 62025-D PF (Side D runout)