tracks 2-1, 2-3, 2-8 to 2-10, 2-20, 2-22 to 2-31, 4-6 to 4-9, 4-13 to 4-17, 4-19 to 4-20, 4-22 to 4-23, 4-29, 5-1 to 5-10, 5-32 baritone vocals Christopher Maltman
tracks 12-1, 12-8, 12-9, 12-20 to 12-22, 12-29, 12-34, 12-35 baritone vocals David Wilson-Johnson
tracks 9-11 baritone vocals Gerald Finley
tracks 14-9 baritone vocals Graham Titus
tracks 18-1 to 18-13 baritone vocals Jeremy Huw Williams
tracks 8-3, 8-7, 8-16, 8-21, 8-23 to 8-26, 8-28 baritone vocals Neal Davies
tracks 13-1 to 13-21, 15-1 to 16-16, 19-1 to 19-27, 21-1 to 21-25, 23-1 to 23-39 baritone vocals Roderick Williams
tracks 3-1 to 3-2, 3-5 to 3-6, 3-8 to 3-9, 3-12 to 3-16, 3-23 baritone vocals Simon Keenlyside
tracks 14-13 to 14-18 baritone vocals Thomas Allen
tracks 16-17 to 16-22 cello Cara Berridge
tracks 11-25 to 11-26 cello Christopher Van Kampen
tracks 2-11 to 2-15, 3-17 to 3-22, 5-17 to 5-19. 5-25 to 5-32 cello Ivan McCready
tracks 14-9 choir BBC Singers
tracks 14-10 to 14-12 choir The Wenhaston Boys' Choir
tracks 22-1 to 22-5 clarinet Richard Hosford
tracks 14-10 to 14-12 conductor Christopher Barnett
tracks 14-9 conductor Simon Joly
tracks 14-13 to 14-26 conductor Steuart Bedford
tracks 9-2 contralto vocals Jean Rigby
tracks 4-1 to 4-5 cor anglais Christine Pendrill
tracks 9-11 countertenor vocals Derek Lee Ragin
tracks 20-1 to 22-18, 23-1 to 23-39 edited by Andrew Walton
tracks 18-1 to 18-24 edited by Jennifer Howells
tracks 25-1 to 25-34 edited by Mark Brown
tracks 14-9 engineer Alan Driedger
tracks 1-1 to 4-29 engineer Antony Howell
tracks 12-1 to 12-36 engineer Campbell Hughes
tracks 21-1 to 21-25 engineer Deborah Spanton
tracks 13-1 to 13-21, 15-1 to 16-16, 19-1 to 19-27 engineer Eleanor Thomason
tracks 7-1 to 7-26 engineer Geoff Miles
tracks 25-1 to 25-34 engineer Julian Millard
tracks 16-17 to 16-22, 21-1 to 22-18, 23-1 to 23-39 engineer Mike Clements
tracks 6-1 to 11-26, 14-1 to 14-8, 14-10 to 14-26 engineer Mike Hatch
tracks 12-1 to 12-36 engineer Morgan Roberts
tracks 20-1 to 20-30 engineer Phil Rowlands
tracks 2-11 to 2-15, 3-17 to 3-22, 4-1 to 4-5. 5-25 to 5-32 ensemble The Duke Quartet
tracks 16-17 to 16-22 ensemble The Sacconi Quartet
tracks 4-1 to 4-5 flute Philippa Davies
tracks 11-19 of 11-24 guitar Carlos Bonell
tracks 1-8 to 1-13 guitar Craig Ogden
tracks 25-1 to 25-34 harp Lucy Wakeford
tracks 9-12, 14-1 to 14-8 harp Osian Ellis
tracks 9-3 to 9-4, 9-8, 9-10 horn Frank Lloyd
liner notes [booklet notes] Andrew Burn
liner notes [booklet notes] Andrew Knowles
liner notes [booklet notes] Andrew Matthews-Owen
liner notes [booklet notes] Chris Ball
liner notes [booklet notes] Graham J Lloyd
liner notes [booklet notes] John Turner
liner notes [booklet notes] Keith Anderson
liner notes [booklet notes] Lloyd Moore
liner notes [booklet notes] Malcolm MacDonald
liner notes [booklet notes] Philip Lancaster
liner notes [booklet notes] Roderic Dunnett
liner notes [booklet notes] Valerie Langfield
liner notes [booklet notes] William Alwyn
tracks 2-4 to 2-7, 2-11 to 2-15, 2-19, 8-2, 8-14, 8-17 to 8-18, 8-21 to 8-23, 8-25, 8-28 mezzo-soprano vocals Catherine Wyn-Rogers
tracks 12-3, 12-10 to 12-13, 12-17 to 12-19, 12-25 to 12-28 mezzo-soprano vocals Joanne Thomas
tracks 14-9 mezzo-soprano vocals Judith Harris
tracks 24-1 to 24-27 mezzo-soprano vocals Patricia Bardon
tracks 20-1 to 20-30 mezzo-soprano vocals Susan Bickley
tracks 9-4 to 9-5, 9-7, 9-9 narrator [speaker] Judi Dench
tracks 14-13 to 14-26 orchestra Northern Sinfonia
tracks 24-1 to 24-27 piano Andrew Matthews-Owen
tracks 12-1 to 12-36, 14-10 to 14-12, 25-1 to 25-34 piano David Owen Norris
tracks 1-1 to 3-23. 5-1 to 5-33, 10-1 to 11-18, 11-25 to 11-26 piano Graham Johnson
tracks 13-1 to 13-21, 15-1 to 16-16, 17-1 to 23-39 piano Iain Burnside
tracks 4-1 to 4-29 piano John Constable
tracks 6-20 to 9-3, 9-6, 9-8, 9-10 to 9-11 piano Steuart Bedford
tracks 13-1 to 13-21, 15-1 to 16-22, 19-1 to 22-18, 23-1 to 23-39 producer Andrew Walton
tracks 6-1 to 11-18, 11-25 to 11-26, 14-1 to 14-8, 14-10 to 14-26 producer John H. West
tracks 1-1 to 4-29, 25-1 to 25-34 producer Mark Brown
tracks 14-9 producer Michael Emery
tracks 12-1 to 12-36 producer Simon Weir
tracks 11-19 to 11-24 producer Stephen Johns
tracks 24-1 to 24-27 producer, engineer Michael Csanyi-Wills
tracks 17-1 to 18-24 producer, engineer Michael Ponder
tracks 18-14 to 18-17 recorder [treble recorder] John Turner
tracks 18-14 to 18-24 soprano clarinet Elin Manahan Thomas
tracks 12-2 to 12-6, 12-10 to 12-19, 12-23 to 23-28, 12-30, 12-32 to 12-33, 12-36 soprano vocals Amanda Pitt
tracks 24-1 to 24-27 soprano vocals Claire Booth
tracks 1-1, 1-3, 1-5 to 1-7, 1-14 to 1-19. 10-3 to 30-4, 10-16 to 10-17, 10-22 to 10-26, 11-2 to 11-3, 11-6, 11-8 to 11-9, 11-12 to 11-16 soprano vocals Felicity Lott
tracks 8-1, 8-4, 8-6, 8-8 to 8-12, 8-13, 8-15, 8-19 to 8-20, 8-28 soprano vocals Janice Watson
tracks 5-1, 5-4, 5-7 to 5-9, 5-11, 5-13, 5-15, 5-17 to 5-19, 5-21 to 5-22, 5-24, 5-33 soprano vocals Lisa Milne
tracks 14-9 soprano vocals Margaret Feaviour
tracks 2-2, 2-16 to 2-18, 2-20 to 2-21 soprano vocals Patricia Rozario
tracks 4-1 to 4-5, 4-10 to 4-12, 4-18, 4-21, 4-24 to 4-28 tenor vocals Adrian Thompson
tracks 22-1 to 22-18 tenor vocals Andrew Kennedy
tracks 3-1, 3-3 to 3-4, 3-7, 3-10 to 3-11, 3-17 to 3-23, 5-1 to 5-3, 5-5 to 5-6, 5-10, 5-12, 5-14, 5-16, 5-20, 5-23, 5-25 to 5-33 tenor vocals Anthony Rolfe Johnson
tracks 17-1 to 17-24 tenor vocals John Mark Ainsley
tracks 25-1 to 25-34 tenor vocals Mark Wilde
tracks 1-2, 1-4, 1-8 to 1-13, 1-20 to 1-22 tenor vocals Martyn Hill
tracks 24-1 to 24-27 tenor vocals Nicky Spence
tracks 6-20 to 7-26, 9-1 to 9-3, 9-6, 9-8, 9-10 to 9-12, 10-1 to 10-2, 10-5 to 10-15, 10-18 to 10-21, 10-25 to 11-1, 11-4 to 11-5, 11-7, 11-10 to 11-11, 11-17 to 11-25, 12-5, 12-7, 12-24, 12-31, 14-1 to 14-8, 14-10 to 14-12, 14-19 to 14-26 tenor vocals Philip Langridge
tracks 8-5, 8-26 to 8-28 tenor vocals Toby Spence
tracks 14-9 tenor vocals Vernon Kirk
tracks 2-11 to 2-15, 3-17 to 3-22. 5-25 to 5-32 viola John Metcalfe
tracks 16-17 to 16-22 viola Robin Ashwell
tracks 16-17 to 16-22 violin Ben Hancox
tracks 16-17 to 16-22 violin Hannah Dawson
tracks 2-11 to 2-15, 3-17 to 3-22, 5-17 to 5-19. 5-25 to 5-32, 6-1 to 6-4 violin Louisa Fuller
tracks 2-11 to 2-15, 3-17 to 3-22. 5-25 to 5-32 violin Rick Koster
Phonographic Copyright (p) Lambourne Productions Limited
Phonographic Copyright (p) Pinnacle Entertainment Ltd.
Phonographic Copyright (p) Naxos Rights US, Inc.
Copyright (c) Naxos Rights US, Inc.
Recorded At All Saints Church, East Finchley
Recorded At Rosslyn Hill Chapel, Hampstead
Recorded At St Silas Church, Pentonville, London
Recorded At All Hallows, Gospel Oak
Recorded At St Giles' Cripplegate
Recorded At Henry Wood Hall, London
Recorded At St. Paul's Church, Knightsbridge, London
Recorded At Turner Sims Concert Hall
Recorded At Potton Hall
Recorded At The Maltings
Recorded At All Saints Church, Gosforth, Newcastle Upon Tyne
Barcode: 7 30099 25074 0