art direction [art direction and image restoration] Raymond Bannerman
tracks 30-1 to 30-16 bells Laura Spelman Rockefeller Memorial Carillon, The Riverside Church
booklet editor Adam Freeman
booklet editor Bruce Raggatt
booklet editor Jonathan Summers
tracks 30-1 to 30-16 carillon Kamiel Lefévere
tracks 1-1 to 1-4, 2-1, 2-2, 3-1 to 3-8, 4-1 to 4-5, 5-1 to 5-3, 6-1 to 6-4, 7-1 to 7-6, 8-1, 8-2, 9-1 to 9-6, 10-1 to 10-4, 11-1 to 11-8, 12-1 to 12-7, 13-1 to 13-10, 14-1 to 14-23, 15-1 to 15-3, 16-1 to 16-10, 17-1 to 17-10, 18-1 to 18-4, 19-1 to 19-4, 20-1, 20-2, 21-1 to 21-4, 22-1 to 22-17, 23-1 to 23-5, 24-1 to 24-4, 25-1 to 25-14, 26-1 to 26-5, 27-1 to 27-11, 28-1 to 28-3, 29-1 to 29-8 conductor Antal Dorati
engineer [associate engineer] Robert Eberenz
engineer [chief engineer and technical supervisor] Robert Fine
executive-producer [executive producer for eloquence] Cyrus Meher-Homji
tracks 18-1 to 18-4, 19-1 to 19-4, 20-1, 20-2 executive-producer [musical supervisor] Clair W. Van Ausdall
tracks 3-1 to 3-8, 4-1 to 4-5, 5-1 to 5-3, 6-1 to 6-4, 7-1 to 7-6, 8-1, 8-2, 9-1 to 9-6, 10-1 to 10-4, 11-1 to 11-8, 12-1 to 12-7, 13-1 to 13-10, 14-1 to 14-23, 15-1 to 15-3, 16-1 to 16-10, 17-1 to 17-10, 21-1 to 21-4, 22-1 to 22-17, 23-1 to 23-5, 24-1 to 24-4, 25-1 to 25-14, 26-1 to 26-5, 27-1 to 27-11, 28-1 to 28-5, 29-1 to 29-8, 30-1 to 30-16 executive-producer [musical supervisor] Harold Lawrence
executive-producer [this edition] Thomas Fine
liner notes Dennis D. Rooney
liner notes [sessionography] Thomas Fine
tracks 1-1 to 1-4, 2-1, 2-2, 3-1 to 3-8, 4-1 to 4-5, 5-1 to 5-3, 6-1 to 6-4, 7-1 to 7-6, 8-1, 8-2, 9-1 to 9-6, 10-1 to 10-4, 11-1 to 11-8, 12-1 to 12-7, 13-1 to 13-10, 14-1 to 14-23, 15-1 to 15-3, 16-1 to 16-10, 17-1 to 17-10, 18-1 to 18-4, 19-1 to 19-4, 20-1, 20-2, 21-1 to 21-4, 22-1 to 22-17, 23-1 to 23-5, 24-1 to 24-4, 25-1 to 25-14, 26-1 to 26-5, 27-1 to 27-11, 28-1 to 28-3, 29-1 to 29-8 orchestra Minneapolis Symphony Orchestra
producer [recording producer] Wilma Cozart
tracks 1-1 to 1-4, 2-1, 2-2 recording supervisor [recording director] David Hall
recording supervisor [recording director] Wilma Cozart
tracks 3-1 to 3-8, 6-1 to 6-4, 22-1 to 22-17, 23-1 to 23-5, 26-1 to 26-5, 28-1 to 28-5, 30-1 to 30-16 remastered by Thomas Fine
tracks 1-1 to 1-4, 2-1, 2-2, 2-1 to 2-8, 4-1 to 4-5, 5-1 to 5-3, 7-1 to 7-6, 8-1, 8-2, 9-1 to 9-6, 10-1 to 10-4, 11-1 to 11-8, 12-1 to 12-7, 13-1 to 13-10, 14-1 to 14-23, 15-1 to 15-3, 16-1 to 16-10, 17-1 to 17-10, 18-1 to 18-4, 19-1 to 19-4, 20-1, 20-2, 21-1 to 21-4, 27-1 to 27-11, 29-1 to 29-8 remastered by Wilma Cozart
research [photo archive research] Dennis D. Rooney
research [photo archive research] Thomas Fine
research [tape vault research] Stephen Nowlan
tracks 6-1 to 6-4 transferred by [analogue to digital] Jamie Howarth
tracks 6-1 to 6-4 transferred by [analogue to digital] John K. Chester
transferred by [new tape transfers] Jared Hawkes
Marketed By Universal Classics & Jazz
Phonographic Copyright (p) Universal International Music B.V.
Copyright (c) Universal Music Australia Pty Ltd
Recorded At Northrop Memorial Auditorium
Recorded At Carnegie Hall
Recorded At Watford Town Hall
Recorded At Fine Recording Studios
Recorded At The Riverside Church, New York City
Recorded At United States Military Academy
Glass Mastered At Technicolor, Australia
This Edition ℗ 2023 Universal International Music B.V. Artwork © 2023 Universal Music Australia Pty Ltd. Marketed in Australasia by Universal Classics & Jazz, a division of the Universal Music Group under exclusive licence.

Editor's Note 1: character used to separate parts or acts that would ordinarily call for a Header, but is not used here, to keep complete works under a single Index Track.

Editor's Note 2: Some sub-tracks are split into individual sub-tracks as presented on disc sleeves, to manage multipart tracks. Track numeration is as printed or by using #.# convention.

Editor's Note 3: Corrected track 30-8 name from Once to Every Man and Nation (Tom Y. Botel) to Once to Every Man and Nation (Ton-y-Botel) . Ref: Ebenezer (hymn) and Once to Every Man and Nation on Wikipedia.

CD 1
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 27 November 1955
Recorded using a Schoeps M201 in the centre and Neumann U-475 on the sides
Original Mercury Release: SR 90098
℗ 1956 Universal International Music B.V.

CD 2
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 22 December 1955
Recorded using a Schoeps M201 in the centre and Neumann U-475 on the sides
Original Mercury Release: SR 90099
℗ 1959 Universal International Music B.V

CD 3
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 17 November 1956
Recorded using a Schoeps M201 in the centre and Neumann KM-56 on the sides
Original Mercury Release: SR 90132
℗ 1957 Universal International Music B.V.

CD 4
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 18 November 1956
Recorded using a Schoeps M201 in the centre and Neumann KM-56 on the sides
Original Mercury Release: SR 90008
℗ 1958 Universal International Music B.V
*FIRST RELEASE ON CD

CD 5
Recording Location: Carnegie Hall, New York, USA, 17 February 1957
Recorded using a Schoeps M201 in the centre and Neumann KM-54 on the sides
Original Mercury Release: SR 90003
℗ 1958 Universal International Music B.V.

CD 6
Recording Producer and Recording Director: Wilma Cozart Fine
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 9 March 1957
Recorded using a Schoeps M201 in the centre and Neumann KM-54 on the sides
Original Mercury Release: SR 90011
℗ 1959 Universal International Music BV

CD 7
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 10 March 1957
Recorded using a Schoeps M201 in the centre and Neumann KM-54 on the sides
Original Mercury Release: SR 90139
℗ 1958 Universal International Music B.V.

CD 8
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 20 April 1957
Recorded using a Schoeps M201 in the centre and Neumann KM-56 on the sides
Original Mercury Release: SR 90016
℗ 1958 Universal International Music B.V.

CD 9
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 21 April 1957
Recorded using a Schoeps M201 in the centre and Neumann KM-56 on the sides
Original Mercury Release: SR 90007
℗ 1958 Universal International Music B.V.

CD 10
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 17 December 1957
Recorded using a Schoeps M201 in the centre and Neumann KM-56 on the sides
Original Mercury Release: SR 90171
℗ 1958 Universal International Music B.V.

CD 11
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 18 December 1957
Recorded using a Schoeps M201 in the centre and Neumann KM-56 on the sides
Original Mercury Release: SR 90178
℗ 1958 Universal International Music BV.
*FIRST RELEASE ON CD

CD 12
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 20 December 1957
Recorded using a Schoeps M201 in the centre and Neumann KM-56 on the sides
Original Mercury Releases: SR 90172 (Copland), SR 90290 (Gershwin)
℗ 1958 (Copland), 1962 (Gershwin) Universal International Music B.V.

CD 13 & CD 14
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 21-22 December 1957
Recorded using a Schoeps M201 in the centre and Neumann KM-56 on the sides
Original Mercury Release: SR2-9005
℗ 1958 Universal International Music B.V.

CD 15
Recording Locations: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 5 April 1958,
Laura Spellman Rockefeller bell tower, Riverside Church, New York, USA, 10 May 1958,
Fine Recording Studio, New York, USA, c. 10 May 1958 (Deems Taylor narration) and U.S. Military Academy, West Point, New York, USA, June 1958
Recorded using a Schoeps M201 in the centre and Neumann KM-56 on the sides
Original Mercury Release: SR 90054
℗ 1958 Universal International Music B.V.

CD 16 & 17
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 5-6 April 1958
Recorded using a Schoeps M201 in the centre and Neumann KM-56 on the sides
Original Mercury Release: SR 2-9007
® 1958 Universal International Music B.V.

CD 18
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 22 December 1958
Recorded using a Schoeps M201 in the centre and Neumann KM-56 on the sides
Original Mercury Release: SR 90195
® 1959 Universal International Music B.V.

CD 19
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 22-23 December 1958
Recorded using a Schoeps M201 in the centre and Neumann KM-56 on the sides
Original Mercury Release: SR 90201
℗ 1959 Universal International Music B.V.

CD 20
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 23 December 1958
Recorded using a Schoeps M201 in the centre and Neumann KM-56 on the sides
Original Mercury Release: SR 90202
℗ 1959 Universal International Music B.V.

CD 21
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 20 April 1959
Recorded using three Schoeps M201 microphones
Original Mercury Release: SR 90216
® 1960 Universal International Music B.V.

CD 22
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 21 April 1959
Recorded using three Schoeps M201 microphones
Original Mercury Release: SR 90217
℗ 1960 Universal International Music B.V.

CD 23
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 21 April 1959 (Peterson), 17 April 1960 (Bloch)
Recorded using three Schoeps M201 microphones
Original Mercury Release: SR 90288
℗ 1960 Universal International Music B.V.
*FIRST RELEASE ON CD

CD 24
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 14-15 November 1959
Recorded using three Schoeps M201 microphones
Original Mercury Release: SR 90258
℗ 1960 Universal International Music B.V.

CD 25
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 15 November 1959
Recorded using three Schoeps M201 microphones
Original Mercury Release: SR 90253
℗ 1960 Universal International Music B.V.

CD 26
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 16 April 1960
(Symphony); Watford Town Hall, London, UK, 18 June 1960 (Nocturne and Capriccio)
Recorded using three Schoeps M201 microphones
Original Mercury Release: SR 90248
℗ 1961 Universal International Music B.V.
FIRST RELEASE ON CD
BONUS TRACK
Antal Doráti interviewed by Dennis D. Rooney (1975)
Editor: Seth B. Winner
Recording Location: Minnesota, USA, 1975 ℗ 2023 Universal International Music B.V.
PREVIOUSLY UNPUBLISHED

CD 27
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 16-17 April 1960
Recorded using three Schoeps M201 microphones
Original Mercury Release: SR 90282
℗ 1961 Universal International Music B.V.

CD 28
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 17-19 April 1960
Recorded using three Schoeps M201 microphones
Original Mercury Release: SR 90260
℗ 1960 Universal International Music BV.

CD 29
Recording Location: Northrop Auditorium, University of Minnesota, Minneapolis, USA, 19 April 1960
Recorded using three Schoeps M201 microphones
Original Mercury Release: SR 90298
℗ 1960 Universal International Music B.V.

CD 30
Recording Location: Laura Spellman Rockefeller bell tower, Riverside Church, New York, USA, 10 May 1958
Recorded using a Schoeps M201 in the centre and Neumann KM-56s on the sides
Original Mercury Release: SR 90189
℗ 1958 Universal International Music B.V.
FIRST RELEASE ON CD
From Liner Notes: Though not conducted by Antal Doráti, 'The Magic of the Bells' was recorded at the same time as the '1812* Overture church bells and sound effects, on 10 May 1958. An oddment in the Mercury Living Presence catalogue, it is included here by way of bonus because of its relevance to one of Doráti's (and the 1812's) most celebrated recordings.
Barcode: 0 28948 442072 (Text)
Barcode: 028948442072 (Scanned)
SPARS Code: ADD