tracks 3.9 to 4.4 alto saxophone John Jenkins
tracks 4.5 to 4.10 alto saxophone, tenor saxophone Curtis Porter
tracks 5.7 to 6.1 baritone saxophone Pepper Adams
tracks 1.1. to 1.8, 2.2 to 3.8 bass Doug Watkins
tracks 5.1 to 5.6 bass Jimmy Rowser
tracks 1.9 to 2.1, 4.5 to 4.10, 5.7 to 6.9 bass Paul Chambers
tracks 3.9 to 4.4 bass Wilbur Ware
design [design direction] Richard Mantel
tracks 3.9 to 4.4, 5.7 to 6.1 drums "Philly" Joe Jones
tracks 1.1. to 1.8, 2.2 to 3.8 drums Art Blakey
tracks 4.5 to 5.6 drums Art Taylor
tracks 1.9 to 2.1, 6.2 to 6.9 drums Charlie Persip
engineer [recording] Rudy Van Gelder
executive-producer Charlie Lourie
mastered by [using 20-bit super bit mapping] Ron McMaster
photography by Francis Wolff
tracks 3.9 to 4.4 piano Bobby Timmons
tracks 1.1 to 3.8 piano Horace Silver
tracks 4.5 to 6.1 piano Sonny Clark
tracks 6.2 to 6.9 piano Wynton Kelly
producer [for release] Michael Cuscuna
producer [original sessions] Alfred Lion
tenor saxophone Hank Mobley
tracks 3.1 to 3.8, 5.7 to 6.1 trumpet Art Farmer
tracks 4.5 to 4.10 trumpet Bill Hardman
tracks 1.9 to 2.1, 3.9 to 4.4 trumpet Donald Byrd
tracks 5.1. to 5.6 trumpet Kenny Dorham
tracks 1.9 to 2.1, 6.2 to 6.9 trumpet Lee Morgan
tracks 2.2 to 2.6 vibraphone Milt Jackson
Phonographic Copyright (p) EMI Special Markets
Copyright (c) Mosaic Records, L.L.C.
Recorded At Van Gelder Studio, Hackensack, New Jersey
Designed At Inkwell, Inc.
℗ 1998 EMI Special Markets.
© Mosaic Records L.L.C.
Masters courtesy of Blue Note Records, a division of Capitol Records, Inc.

Edition limited to 7,500 albums (CD+LP).

Comes with 18 page lp-sized booklet.

#1-1 to 4-4 tracks are mono.
#4 -5 to 6-9 tracks are stereo.

Recording dates, at Van Gelder Studio, Hackensack, New Jersey:
#1-1 to 1-8: March 27, 1955.
#1-9 to 2-1: November 25, 1956.
#2-2 to 2-6: January 13, 1957.
#3-1 to 3-8: Mach 8, 1957.
#3-9 to 4-4: April 21, 1957.
#4-5 to 4-10: June 23, 1957.
#5-1 to 5-6: August 18, 1957.
#5-7 to 6-1: October 20, 1957.
#6-2 to 6-9: February 9, 1958.