tracks 3-1 to 3-6 a&r [artists & repertoire production] Anthony Freud tracks 8-1 to 8-5, 20-1 to 20-4, 21-1 to 21-24 a&r [artists & repertoire production] Costa Pilavachi tracks 21-1 to 21-24 a&r [artists & repertoire production] Hermine Sterringa tracks 7-1 to 7-6, 22-1 a&r [artists & repertoire production] Louwrens Langevoort tracks 17-1 to 17-16 a&r [artists & repertoire production] Wilhelm Hellweg tracks 22-2, 22-3 a&r [artists & repertoire production] Wouter Hoekstra tracks 19-4 to 19-6 arranged by [violin part] Robert Schumann artwork Punto E Virgola tracks 13-6, 13-8 baritone vocals Andreas Schmidt tracks 15-1 to 16-11 baritone vocals [bauer (peasant)] David Arnold tracks 5-1 to 6-16 baritone vocals [méphistophélès] Donald McIntyre tracks 1-1 to 2-15 bass vocals Alastair Miles tracks 5-1 to 6-16 bass vocals [brander] Thomas Paul tracks 1-1 to 2-15 basso continuo, cello Sadao Harada tracks 1-1 to 2-15 basso continuo, double bass Akira Akahoshi tracks 1-1 to 2-15 basso continuo, organ Christine Schornsheim tracks 1-1 to 2-15 bassoon Akio Koyama tracks 22-1 to 22-23 biwa Kinshi Tsuruta tracks 17-6 cello Sumiko Kurata tracks 17-6 cello Tsuyoshi Tsutsumi tracks 5-1 to 6-16 choir Boston Boy Choir tracks 5-1 to 6-16, 11-1 to 11-15, 12-1 to 12-18, 15-1 to 16-11 choir Tanglewood Festival Chorus tracks 1-1 to 2-15 choir Tokyo Opera Singers tracks 5-1 to 6-16, 12-1 to 12-18, 15-1 to 16-11 chorus master John Oliver tracks 5-1 to 6-16 chorus master Theodore Marier tracks 1-1 to 2-15 chorus master [choral director] Peter Dijkstra tracks 4-1, 4-2 composed by Alban Berg tracks 8-1 to 8-5 composed by Antonín Dvořák tracks 15-1 to 17-5 composed by Arnold Schoenberg tracks 10-11 to 10-14 composed by Bill Russo tracks 9-1 to 9-3 composed by César Franck tracks 19-1 to 19-3 composed by Dmitri Shostakovich tracks 11-1 to 11-15 composed by Felix Mendelssohn-Bartholdy tracks 9-4 to 9-6, 12-1 to 12-18 composed by Francis Poulenc tracks 3-5, 3-6, 20-1 to 20-4 composed by Franz Schubert tracks 10-1 composed by George Gershwin tracks 5-1 to 6-16 composed by Hector Berlioz tracks 17-7 to 17-16 composed by Igor Stravinsky tracks 4-3 to 4-6 composed by Igor Stravinsky tracks 23-4 to 23-6 composed by Jean Sibelius tracks 1-1 to 2-15 composed by Johann Sebastian Bach tracks 7-1 to 7-6 composed by Johannes Brahms tracks 10-2 to 10-10 composed by Leonard Bernstein tracks 3-1 to 3-4 composed by Ludwig van Beethoven tracks 14-5 to 14-7 composed by Maurice Ravel tracks 23-1 to 23-3 composed by Pyotr Ilyich Tchaikovsky tracks 17-6, 21-1 to 21-24 composed by Richard Strauss tracks 19-4 to 19-6 composed by Robert Schumann tracks 13-1 to 13-9, 14-1 to 14-4 composed by Sergei Prokofiev tracks 22-1 to 22-23 composed by Toru Takemitsu conductor Seiji Ozawa tracks 14-1 to 14-7 edited by [editing] Christopher Alder tracks 19-1 to 19-6 edited by [editing] Ingmar Haas tracks 12-1 to 12-18 edited by [editing] Oliver Rogalla tracks 4-3, to 4-6 edited by [editing] Reinhild Schmidt tracks 22-1 to 22-3 edited by [tape editing] Gosia Jankowska tracks 21-1 to 21-24 edited by [tape editing] Joram Pinxteren tracks 22-1 to 22-3 edited by [tape editing] Kees de Visser tracks 21-1 to 21-24 edited by [tape editing] Rico Yntema tracks 17-1 to 17-16, 20-1 to 20-4 edited by [tape editor] Everett Porter tracks 7-1 to 7-6 edited by [tape editor] Jan Wesselink tracks 3-1 to 3-6 edited by [tape editor] Jean van Vugt tracks 1-1 to 2-15 edited by [tape editor] Manabu Ohkoshi tracks 7-1 to 7-6 edited by [tape editor] Raymond Rafael tracks 14-1 to 14-7 engineer [assistant] Bastian Schick tracks 14-1 to 14-7 engineer [assistant] Wolf-Dieter Karwatky tracks 9-1 to 9-6, 11-1 to 11-15, 12-1 to 12-18, 13-1 to 13-9, 18-1 to 18-3, 19-1 to 19-6 engineer [balance] Hans-Peter Schweigmann tracks 10-2 to 10-10 engineer [balance] Jack Hunt tracks 10-1, 10-11 to 10-14 engineer [balance] Karl-August Naegler tracks 5-1 to 6-16 engineer [balance] Klaus Hiemann tracks 1-1 to 2-15 engineer [balance] Masamichi Ohashi tracks 3-1 to 3-6, 8-1 to 8-5, 17-16, 20-1 to 21-24 engineer [balance] Onno Scholtze tracks 7-1 to 7-6, 22-1 to 22-3 engineer [balance] Wilhelm Hellweg tracks 9-1 to 9-6 engineer [recording] Andrew Wedman tracks 21-1 to 21-24 engineer [recording] Cees Heijkoop tracks 20-1 to 20-4 engineer [recording] Everett Porter tracks 4-3, to 4-6 engineer [recording] Hans-Peter Schweigmann tracks 8-1 to 8-5 engineer [recording] Jan Wesselink tracks 9-1 to 9-6, 19-1 to 19-6 engineer [recording] Jobst Eberhardt tracks 13-3, 13-5 to 13-9 engineer [recording] Jürgen Bulgrin tracks 20-1 to 20-4 engineer [recording] Kiyoshi Fukiwa tracks 11-1 to 11-15, 13-1, 13-2, 13-4 engineer [recording] Klaus Behrens tracks 4-1, 4-2, 14-1 to 14-7 engineer [recording] Klaus Hiemann tracks 8-1 to 8-5, 21-1 to 21-24 engineer [recording] Pieter Boer tracks 19-1 to 19-6 engineer [recording] Reinhard Lagemann tracks 3-1 to 3-6, 17-1 to 17-16 engineer [recording] Roger de Schot tracks 3-1 to 3-6, 17-1 to 17-16, 20-1 to 20-4 engineer [recording] Suenori Fukui tracks 7-1 to 7-6, 22-1 to 22-3 engineer [recording] Tony Faulkner tracks 21-1 to 21-24 engineer [recording] Willem van Leeuwen tracks 13-3, 13-5 to 13-9 engineer [recording] Wolf-Dieter Karwatky tracks 1-1 to 2-15 engineer [recording] Youichi Umezawa tracks 1-1 to 2-15 engineer [recording] Yuji Hirano tracks 9-1 to 9-6, 11-1 to 11-15, 19-1 to 19-6 executive-producer Alison Ames tracks 1-1 to 2-15 executive-producer Clive Bennett tracks 12-1 to 12-18 executive-producer Hanno Rinke tracks 13-1 to 13-9, 19-1 to 19-6 executive-producer Wolfgang Stengel tracks 11-1 to 11-15 executive-producer [associate] Pål Christian Moe tracks 14-1 to 14-7 executive-producer [associate], coordinator [project] Matthias Spindler tracks 18-1 to 18-3 executive-producer, producer [recording] Thomas Mowrey tracks 1-1 to 2-15 flute Shigenori Kudo tracks 10-1 to 10-14 harmonica, piano Corky Siegel tracks 1-1 to 2-15 horn Nobuyuki Mizuno liner notes Sandro Cappelletto liner notes [english translation] Karel Clapshaw tracks 11-1 to 11-15 mezzo-soprano vocals [second fairy] Frederica von Stade tracks 15-1 to 16-11 mezzo-soprano vocals [waldtaube (wood-dove)] Tatiana Troyanos tracks 11-1 to 11-15 narrator Judi Dench tracks 1-1 to 2-15 oboe Fumiaki Miyamoto tracks 1-1 to 2-15 oboe Reinhard Holch tracks 13-1 to 13-9, 14-1 to 14-7 orchestra Berliner Philharmoniker tracks 4-1 to 6-16, 9-4 to 9-6, 11-1 to 11-15, 12-1 to 12-18, 15-1 to 16-11, 18-1 to 19-6, 23-1 to 23-6 orchestra Boston Symphony Orchestra tracks 1-1 to 3-6, 7-1 to 7-6, 17-1 to 17-16, 20-1 to 20-4, 22-1 to 22-23 orchestra Saito Kinen Orchestra tracks 10-1 to 10-14 orchestra San Francisco Symphony tracks 8-1 to 8-5, 21-1 to 21-24 orchestra Wiener Philharmoniker tracks 19-4 to 19-6 orchestrated by Dmitri Shostakovich tracks 21-2 to 21-23 organ Rudolf Scholz tracks 9-4 to 9-6 organ Simon Preston photography by [photo] Gabriela Brandenstein tracks 14-1 to 14-7 piano Yundi Li tracks 14-1 to 14-7 producer Christopher Alder tracks 5-1 to 6-16 producer Franz-Christian Wulff tracks 9-1 to 9-6, 11-1 to 11-15 producer [recording] Christian Gansch tracks 12-1 to 12-18 producer [recording] Cord Garben tracks 1-1 to 3-6, 7-1 to 8-5, 17-1 to 17-16, 20-1 to 22-3 producer [recording] Wilhelm Hellweg tracks 13-1 to 13-9, 19-1 to 19-6 producer [recording] Wolfgang Stengel tracks 4-1 to 4-6 producer, recording supervisor Rainer Brock producer, recording supervisor Thomas Mowrey tracks 5-1 to 6-16 producer, recording supervisor Thomas Mowrey tracks 22-1 to 22-23 shakuhachi Katsuya Yokoyama tracks 6-15 soloist [bass vocals - "epilogue sur la terre] Thomas Paul tracks 6-16 soloist [vocals - "dans le ciel"] Judith Dickison tracks 12-1 to 12-18 soprano vocals Kathleen Battle tracks 11-1 to 11-15 soprano vocals [first fairy] Kathleen Battle tracks 1-1 to 2-15 soprano vocals [ii], contralto vocals Angelika Kirchschlager tracks 1-1 to 2-15 soprano vocals [i] Barbara Bonney tracks 5-1 to 6-16 soprano vocals [marguerite] Edith Mathis tracks 15-1 to 16-11 soprano vocals [tove] Jessye Norman tracks 15-1 to 16-11 speech [speaker] Werner Klemperer tracks 14-1 to 14-7 technician [piano] Serge Poulain tracks 1-1 to 2-15 tenor vocals John Mark Ainsley tracks 5-1 to 6-16 tenor vocals [faust] Stuart Burrows tracks 15-1 to 16-11 tenor vocals [klaus-narr (klaus the jester)] Kim Scown tracks 15-1 to 16-11 tenor vocals [waldemar] James McCracken tracks 5-1 to 6-16 text by Almire Gandonnière tracks 5-1 to 6-16 text by Hector Berlioz tracks 15-1 to 16-11 text by Jens Peter Jacobsen tracks 11-1 to 11-15 text by [edited by] Evans Mirageas tracks 11-1 to 11-15 text by [edited by] Seiji Ozawa tracks 9-4 to 9-6 timpani Everett Firth tracks 1-1 to 2-15 timpani Sawako Yasue tracks 15-1 to 16-11 translated by [german translation] Robert Franz Arnold tracks 1-1 to 2-15 trumpet Tim Morrison tracks 17-6 viola Mazumi Tanamura tracks 22-1 to 22-23 viola Nobuko Imai tracks 17-6 viola Nobuko Okada tracks 19-4 to 19-6 violin Gidon Kremer tracks 4-1 to 4-6 violin Itzhak Perlman tracks 1-1 to 2-15 violin Masuko Ushioda tracks 17-6 violin Masuko Ushioda tracks 17-6 violin Shoko Oki tracks 23-1 to 23-6 violin Viktoria Mullova Phonographic Copyright (p) Universal Music Italia s.r.l. Phonographic Copyright (p) Universal International Music B.V. Phonographic Copyright (p) Deutsche Grammophon GmbH Copyright (c) Universal Music Italia s.r.l. Copyright (c) Gabriela Brandenstein Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Manufactured By EDC, Germany Published By B. Schott's Söhne Published By Universal Edition Wien Published By Amberson Enterprises, Inc. Published By Éditions Salabert Published By G. Schirmer Inc. Recorded At Naganoken Matsumoto Bunka Kaikan Published By Boosey & Hawkes Ltd Published By Hans Sikorski Musikverlag Recorded At Symphony Hall, Boston Recorded At Wiener Musikverein Recorded At Flint Center For The Performing Arts Recorded At Jesus-Christus-Kirche, Berlin Recorded At Großer Saal, Wiener Musikverein Recorded At Schauspielhaus Berlin In a thick, full-colour card box. CDs individually housed in full colour card sleeves. With a 24 page booklet featuring performance and liner notes.
Editor's Note: character used to separate parts or acts that would ordinarily call for a Header, but is not used here, to keep complete works under a single Index Track.
Performance Notes -
CD 1 & CD 2 - Recording: Naganoken Matsumoto Buna Kaikan, Japan, 29 August - 4 September 2000. ℗ 2002 Universal International Music BV CD 3 - Live recording: Matsumoto Bunka Kaikan, Matsumoto, Japan, 10/1993. ℗ 1994 Universal International Music BV CD 4 - Publishers: Universal Edition, Wien (Berg); B. Schott's Söhne, Mainz (Stravinsky). ℗ 1980 Deutsche Grammophon International GmbH, Berlin CD 5 & CD 6 - Recording: Boston, Massachussets USA, Symphony Hall, 10/1973. ℗ 1974 Deutsche Grammophon International GmbH, Berlin CD 7 - Recording: Berlin, 9/1989. ℗ 1990 Universal International Music BV CD 8 - Live recording: Musikverein, Vienna, 4/1992. ℗ 1993 Universal International Music BV CD 9 - Recording: Boston, Symphony Hall, 11/1991 (Franck), 12/1991 (Poulenc). Publishers: Éditions Salbert (Poulenc). ℗ 1993 Deutsche Grammophon International GmbH, Berlin CD 10 - Recordings: Cupertino, California, Flint Center, DeAnza College, 6/1972 (Bernstein), 5/1976 (Gershwin, Russo). Publishers: New World Music Corp., New York (Gershwin); Amberson Enterprises/G. Schirmer, New York (Bernstein). ℗ 1973 (Bernstein) / 1977 (Gershwin, Russo) Deutsche Grammophon International GmbH, Berlin CD 11 - Recording: Boston, Symphony Hall, 10/1992. ℗ 1994 Deutsche Grammophon International GmbH, Berlin CD 12 - Recordings: Boston, Symphony Hall, 11/1987. Publisher: Éditions Salabert, Paris. ℗ 1989 Deutsche Grammophon International GmbH, Berlin CD 13 - Recordings: Berlin, Jesus-Christus-Kirche, 1 & 11/1990 (No. 5), 11/1990 (Kijé). Publishers: Boosey & Hawkes, London (Kijé); Musikverlag Hans Sikorski, Hamburg (No. 5). ℗ 1991 Deutsche Grammophon International GmbH, Berlin CD 14 - Recordings: Berlin, Philharmonie (Großer Saal), 5/2007. Publishers: Boosey & Hawkes - Bote & Bock GmbH & Co. KG, Berlin (1-4); Editions Durand, Paris (5-7). ℗ 2007 Deutsche Grammophon International GmbH, Berlin CD 15 & CD 16 - Liver recording: Boston Symphony Hall, 4/1979. ℗ 1979 Universal International Music BV CD 17 - Recording: Matsumoto Bunka Kaikan, Matsumoto, Japan, 9/1993 (Schoenberg); 9/1994 (Stravinsky, Strauss). ℗ 1996 Universal International Music BV CD 18 - Recording: Boston, Symphony Hall, 8/1975. Publisher: Belwin Hills. ℗ 1976 Deutsche Grammophon International GmbH, Berlin CD 19 - Live recording: Boston Symphony Hall, 4/1992. Publishers: Musikverlag Hans Sikorski, Hamburg. ℗ 1994 Deutsche Grammophon International GmbH, Berlin CD 20 - Recording: Nagano-Ken Bunka Kaikan, Matsumoto, Japan, 9/1996. ℗ 1997 Universal International Music BV CD 21 - Recording: Großer Saal, Musikverein, Wien, 3/1996. ℗ 1997 Universal International Music BV CD 22 - Recording: Jesus-Christus-Kirche, Berlin, 9/1989 (1), Schauspielhaus, Berlin, 8/1990 (2, 3). ℗ 1991 Universal International Music BV CD 23 - Recording: Boston, October, 1985. Publisher: Robert Lienau (Sibelius). ℗ 1986 Universal International Music BV
Additional Performance Notes -
CD 5 & CD 6 - 'Légende dramatique en quatre parties'. Text by Hector Berlioz and Almire Gandonnière based on Gérard de Nerval's translation of Goethe's Faust. CD 7 - 'This recording, the last in which the late Sherman Walt performed, is respectfully dedicated to his memory by Seiji Ozawa. Mr. Walt was principal bassoonist of the Boston Symphony Orchestra from 1953-1989, and participated in the concerts of the Saito Kinen orchestra from it's inception.' CD 9 - Live recording CD 11 - 'Incidental Music to Shakespeare's play'. Text edited for a single narrator by Evans Miragaes and Seiji Ozawa CD 14 - Live recording CD 15 & CD 16 - Publishers: Universal Edition A.G., Wien CD 17 - Publishers (1-6): Universal Edition. Publishers (7-16): Boosey & Hawkes CD 21 - Publishers (1): Boosey & Hawkes. Composed for the Vienna Philharmonic Ball, the Fanfare was premiered on 4 March 1924. It is scored for 6 trumpets, 8 horns, 6 trombones, 2 tubas and 2 timpani. Publishers (2-23): F.E.C. Leuckart. Publishers (24): R. Lienau Verlag, Frankfurt. Composed in Garmisch in July 1909 and performed on 9 December 1909, this work is dedicated to Prince Frederich of Prussia, master of the Knights of St John of Balley-Brandenburg. The fanfare is scored for 12 trumpets, 3 solo trumpets, 4 horns, 4 trombones, 2 bass tubas and timpani.